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- MARSHALL JEFFERSON. 'MOVE YOUR BODY' When ‘Move Your Body’ was first introduced to house music aficionados in the 80s, the co-founder of Trax Records himself, Larry Sherman told Jefferson that it was moot.
- FARLEY “JACKMASTER” FUNK. 'LOVE CAN’T TURN AROUND' A track full of subtlety with a foundation of blistering piano runs to banging drum hits and topped with a screaming Darryl Pandy.
- Adonis. 'No Way Back' Made for a steamy 3am drug-induced dancefloor, this classic Trax track is sure to keep your chest thumping to its rapid claps and steady bass beat, helping you to dance out the last of your hydration.
- SLEEZY D. 'I’VE LOST CONTROL' With satanic laughs, concerning screams and a deep, demonic voice howling, “I’ve lost control”, Sleezy D takes us to the edge of a flaming pothole to hell.
With so many club spaces dedicated to inclusivity and celebration, house music proved to be a uniting facet of a segregated Chicago, welcoming people of all races, gender identities, and sexual orientations.
- 328 S Jefferson Street Suite 850 Chicago United States
- info@okrp.com
- (312) 870-9100
Five tracks from Booty Bass, Juke and Ghetto House, as precise and relevant whereas to make people shake. Big Debo embodies Chicago’s Ghetto Music spirit, by his consistency, his evolution and by his loyalty to the genuine sound.Dj Deeon is a real “survivor” with his unique style he still makes dancefloors sweat, here’s unprecedented ...
The beautiful, raw, Chicago-inspired Ghetto House, or Booty House, further diversifies the soundscape. Stylized by explicit lyrics, exuding a steamy atmosphere, it maintains a simplistic approach toward music composition yet creates an inevitable groove that is hard to resist.
A style of Chicago house music usually associated with raw production, repetitive sampled vocals and nasty lyrics. The Detroit electro-based style ghettotech has its own tag, as do ghetto house offshoots juke and footwork.
Ghetto house or booty house is a subgenre of house music which started being recognized as a distinct style from around 1992 onwards. It features minimal 808 and 909 drum machine-driven tracks and sometimes sexually explicit lyrics.
