Batman
1966
Search results
Otto Ludwig Preminger ( / ˈprɛmɪndʒər / PREM-in-jər, [1] German: [ˈɔtoː ˈpreːmɪŋɐ] ⓘ; 5 December 1905 – 23 April 1986) [2] was an Austrian-American theatre and film director, film producer, and actor. He directed more than 35 feature films in a five-decade career after leaving the theatre.
Apr 23, 2024 · Otto Preminger, Austrian-born American director who defied Hollywood censorship with controversial films such as The Moon Is Blue, The Man with the Golden Arm, and Anatomy of a Murder. Particularly adept at thrillers, he also helmed such classics as Laura, Carmen Jones, Porgy and Bess, and Exodus.
- Michael Barson
Otto Preminger. Actor: Stalag 17. Otto Ludwig Preminger was born in Wiznitz, Bukovina, Austria-Hungary. His father was a prosecutor, and Otto originally intended to follow his father into a law career; however, he fell in love with the theater in his 20's and became one of the most imaginative stage producers and directors.
- December 5, 1905
- April 23, 1986
40 Photos. Otto Ludwig Preminger was born in Wiznitz, Bukovina, Austria-Hungary. His father was a prosecutor, and Otto originally intended to follow his father into a law career; however, he fell in love with the theater in his 20's and became one of the most imaginative stage producers and directors. He was only 24 when engaged by Max ...
- January 1, 1
- New York City, New York, USA
- January 1, 1
- 1.82 m
Otto Ludwig Preminger ( / ˈprɛmɪndʒər / PREM-in-jər, German: [ˈɔtoː ˈpreːmɪŋɐ] ⓘ; 5 December 1905 – 23 April 1986) was an Austrian-American theatre and film director, film producer, and actor. He directed more than 35 feature films in a five-decade career after leaving the theatre.
Otto Ludwig Preminger ( PREM-in-jər, German: [ˈɔtoː ˈpreːmɪŋɐ] ; 5 December 1905 – 23 April 1986) was an Austrian-American theatre and film director, film producer, and actor. He directed more than 35 feature films in a five-decade career after leaving the theatre.
Nov 5, 2013 · Features — Nov 5, 2013. Share. O tto Preminger, so beloved of Cahiers du cinéma in the late 1950s, has slipped out of the pantheon of American directors in recent decades. The final phase of his career, although prolific, yielded barely a film still discussed by film buffs today.
