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Jan 7, 2021 · Days: First and third Tuesday of every month. Schedule: Now until around summer. Duration: 55 minutes .Software: Zoom. Sign up here. Update: Hi guys, the guitar lesson slots have filled up. We’ll see if the touring season begins in the summer or not.
- Get The Tone
- Example 1
- Example 2
- Example 3
- Example 4
- Example 5
Amp settings: Gain 7, Bass 6, Middle 7, Treble 7, Reverb 3 Although Steve does use a fair amount of drive, it’s not what you would call a ‘shred’ tone, since there’s more ‘note’ than distortion in the sound. You want a smooth, sustaining drive tone so try bridge pickup and go easy on the treble (easier if using humbuckers). Set you amp to ‘just bre...
Play the D triad with first, third and fourth fingers, and as you pick each note, lift the fingers slightly so as to keep the notes separated. For the second arpeggio shape use first, fourth and second fingers in ascending order and use the same muting techniques. Repeat those two shapes as you ascend the fretboard.
Start by fretting the chord shapes and strumming in order to check the notes. For parts like this Steve frets the sixth-string note with his thumb, but you can play it with first finger too. Hold the chord shapes and palm-mute the lower four strings and move your hand from the wrist as you alternate pick the arpeggios.
Play these Major triads using your first, second and fourth fingers, using first finger barre rolls to move between the 12th frets and 10th frets on the first and second strings. Start with a down stroke to alternate pick the arpeggios, so each note has a separate and precise stroke (we don’t want it to sound like sweep picking). Strike the strings...
This riff uses a combination of A Minor scale (A-B-C-D-E-F-G), A Blues scale (A-C-D-Eb-E-G) and some chromatic passing notes. Keep the pick moving in even 16th notes using strict alternate picking and use the momentum of the pick to keep the volume of the notes even throughout.
This lick is based in A Blues scale and is played with first, second and third fingers on the fifth string and interval jumps and string skips to other strings, while staying within the scale. The phrasing switches between six and four-note groupings, but remember there are always six notes per beat throughout.
Dec 9, 2022 · By Jon Bishop. ( Guitar Techniques ) published 9 December 2022. In this exclusive video feature, the former Deep Purple guitarist and all-round guitar legend demonstrates and explains his stunning clean and distorted lead approaches. (Image credit: Steve Thorne/Redferns)
Feb 13, 2024 · published 13 February 2024. The former Deep Purple guitar legend checks in with an exclusive track – and tab to help you play along. (Image credit: Jim Bennett/Getty Images) In this lesson, we are looking at Steve Morse’s performance on Guitar Techniques editor Jason Sidwell’s track The Pledge.
Instruction, Interview, Masterclass. Steve has a new solo, tutorial and interview at Guitar Techniques. It’s in issue GT357 — available from January 10th in shops and online here. Here’s the solo, and thanks to our friends at Guitar Techniques. Read More ».
Oct 23, 2021 · Lessons ›. Rock. Hanging with the Classical Side of Mr. Morse. Jake Ezra Schwartz. October 23, 2021. Photo by Victor Peters. Intermediate. Develop a stronger fingerstyle technique. Understand the elements of counterpoint. Impress your friends with your classical chops.
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