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    • Hong Kong film director, screenwriter, and producer

      • Wong Kar-wai BBS (born 17 July 1958) is a Hong Kong film director, screenwriter, and producer. His films are characterised by nonlinear narratives, atmospheric music, and vivid cinematography involving bold, saturated colours.
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  3. en.wikipedia.org › wiki › Wong_Kar-waiWong Kar-wai - Wikipedia

    Wong Kar-wai BBS (born 17 July 1958) is a Hong Kong film director, screenwriter, and producer. His films are characterised by nonlinear narratives, atmospheric music, and vivid cinematography involving bold, saturated colours.

  4. May 6, 2024 · Wong Kar-Wai, Chinese film director noted for his atmospheric films about memory, longing, and the passage of time. A hallmark of his work is his expressive use of popular music. His best-known movies included Chungking Express, Ashes of Time, Happy Together, In the Mood for Love, and The Grandmaster.

  5. Oct 22, 2021 · The influence of Hong Kong director Wong Kar Wai on global cinema is difficult to overstate. Wong emerged from the creative ferment of the Hong Kong film industry of the 1980s which, at its...

  6. Nov 9, 2018 · Hong Kong director Wong Kar-wai made three of the 100 greatest foreign-language films in BBC Culture’s poll. His unique style and universal human themes mark him apart from his peers, writes...

  7. www.imdb.com › name › nm0939182Kar-Wai Wong - IMDb

    Wong Kar-wai (born 17 July 1956) is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylised, emotionally resonant work, including Ah fei zing zyun (1990), Dung che sai duk (1994), Chung Hing sam lam (1994), Do lok tin si (1995), Chun gwong cha sit (1997), 2046 (2004) and My Blueberry ...

    • January 1, 1
    • 1.83 m
    • Shanghai, China
  8. Wong Kar-wai (born 17 July 1956) is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylised, emotionally resonant work, including Ah fei zing zyun (1990), Dung che sai duk (1994), Chung Hing sam lam (1994), Do lok tin si (1995), Chun gwong cha sit (1997), 2046 (2004) and My Blueberry ...

  9. As a part of Hong Kong’s “sec­ond new wave,” Wong found his cin­e­mat­ic voice by telling “high­ly atmos­pher­ic sto­ries of restrained pas­sion, using daz­zling visu­als, mem­o­rable songs, and uncon­ven­tion­al nar­ra­tives,” all the while “push­ing the bound­aries of Hong Kong genre cin­e­ma to cre­ate some ...

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