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      • Tom Sizemore and Tom Hanks in 'Saving Private Ryan'. David James/Dreamworks John Williams has scored everything from the explosion of the Death Star to the arrival at Hogwarts, so it takes a big moment for the composer to take a backseat to anything. However, it doesn't come much bigger than World War II.
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  2. He would script scenes while listening to music and then tell John Williams which piece. Actually if you look carefully you can see the Death Star on the front cover of the Berlin Philharmonic recording of The Planets.

  3. Williams was asked to return to score the film franchise's final installment, Harry Potter and the Deathly Hallows – Part 2, but director David Yates said that "their schedules simply did not align", as he would have had to provide Williams with a rough cut of the film sooner than was possible.

  4. Williams' score for Star Wars was recorded over eight sessions at Anvil Studios in Denham, England on March 5, 812, 15 and 16, 1977. The score was orchestrated by Williams, Herbert W. Spencer, Alexander Courage, Angela Morley, Arthur Morton and Albert Woodbury.

  5. May 31, 2024 · John Williams is an American composer who created some of the most iconic film scores of all time. He scored more than a hundred films, many of which were directed by Steven Spielberg. Williams is also known for his work on numerous Star Wars films. Learn more about Williams’s life and career.

    • Alison Eldridge
  6. Jan 9, 2020 · It swells in the score of Return of the Jedi as an almost unhinged Luke duels his dad on the Death Star II. Those 30 or so transcendent seconds of strings and choral incantations give me...

    • Ben Lindbergh
  7. 2010: Williams' Harry Potter theme used in Harry Potter and the Deathly Hallows Part 1 scored by Alexandre Desplat. 2011: Williams' Harry Potter theme also used in Harry Potter and the Deathly Hallows Part 2 also scored by Alexandre Desplat.

  8. Jun 1, 2023 · John Williams has scored everything from the explosion of the Death Star to the arrival at Hogwarts, so it takes a big moment for the composer to take a backseat to anything.

    Year
    Title
    Director
    Studio
    1960
    1960
    Jerry Bresler Productions Columbia ...
    1961
    Phil Karlson Richard Widmark
    Heath Productions Universal Pictures
    1962
    Frank Tashlin Budd Grossman