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  1. Aug 29, 2018 · Generally speaking, the first "Godfather" film can be considered flashier than the second, but when it comes to some of the series' most valuable traits such as its stirring revelations, the impact of Michael listening to Fredo reveal himself accidentally as the family traitor in Part II is by no means any less shocking than that of the Don realizing who his true enemy had been all along in ...

  2. Mar 27, 2024 · The Godfather Part II not only won six Oscars but was the first sequel to win Best Picture. These two films are often seen in a world of their own, with other great films not even touching the ...

    • Francis Ford Coppola
    • Features Reporter
    • Marlon Brando
  3. The Godfather is the first trilogy to have had all three of its films nominated for Best Picture (The Lord of the Rings is the only other series to achieve this); it is the only film series with two Best Picture winners, with The Godfather and The Godfather Part II winning the award in their respective years.

  4. The mafia scenes are good, the music is perfect, the drama is top notch, and the romance is as good as it can get. ... Fredo's Death The Godfather: Part II: Official Clip - Fredo's Death 2:13 The ...

    • (126)
    • Francis Ford Coppola
    • R
    • Al Pacino
  5. Oct 2, 2008 · “The Godfather: Part II” then becomes a film that everyone who values movies at all should see. And as I write this, it can be seen in astonishingly good prints. The “Godfather” trilogy has been painstakingly digitally restored by Robert Harris, a master in his field. I have seen the restored “Godfather” in the new 35mm print and ...

  6. The Godfather Part II is a 1974 American epic crime film. The film is produced and directed by Francis Ford Coppola, loosely based on the 1969 novel The Godfather by Mario Puzo, who co-wrote the screenplay with Coppola. It is both a sequel and a prequel to the 1972 film The Godfather, presenting parallel dramas: one picks up the 1958 story of ...

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  8. There is Pacino, suggesting everything, telling nothing. But Coppola is unable to draw all this together and make it work on the level of simple, absorbing narrative. The stunning text of “The Godfather” is replaced in “Part II” with prologues, epilogues, footnotes, and good intentions. Thriller.

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