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Texas blues is blues music from Texas. As a regional style, its original form was characterized by jazz and swing influences. Later examples are often closer to blues rock and Southern rock. History Stevie Ray Vaughan was the most prominent figure in one style of Texas electric blues in the late 20th century
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May 20, 2016 · By David Martin Davies. Published May 19, 2016 at 8:31 PM CDT. Listen • 29:00. This report originally aired on Texas Matters in November 2008. Among the splendors of Texas is the music that has sprung from its roots. Texas music is as diverse as its people. Texas tunes include jazz, spirituals, gospel, rock 'n' roll, Tex-Mex, Cajun, Hillbilly ...
- David Martin Davies
- 29 min
Texas has long been a fertile source of Blues music, and it continues to uphold that tradition, but there is a difference between the early days and the present. What we know today as ‘Texas Roadhouse Blues’ is typically a boogie-heavy dance music that sprang from a long tradition of live music in bars. Austin is known as ‘the live music ...
Texas blues differs from styles such as Chicago blues in use of instruments and sounds, especially the heavy use of the guitar. Musicians such as Stevie Ray Vaughan contributed by using various types of guitar sounds like southern slide guitar and different melodies of blues and jazz.
Texas Blues is characterized by its smooth, swinging rhythm and intricate guitar work. The genre was pioneered by artists like Blind Lemon Jefferson and T-Bone Walker, who brought a new level of complexity and sophistication to blues music. Their innovative approach to the genre laid the groundwork for future generations of Texas Blues musicians.
Feb 19, 2008 · In Texas, a big, big state with a number of immigrant communities and small farmers in addition to its large cotton plantations, early blues musicians were exposed to an unusually broad range of influences: mariachi bands and flamenco-inspired guitarists from Mexico; French-speaking Cajun and Zydeco bands; the polkas and other accordion-driven d...
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