Search results
No longer an outsider
- Arlen was no longer an outsider, and used some of his profits to finance The Vortex, the first hit play from a fellow struggling writer, Noël Coward. He was now within the society circles which he portrayed.
www.independent.co.uk › arts-entertainment › books
Sep 28, 2023 · For all his success as a purveyor of popular fiction, he remained forever an ‘outsider’, arousing both fascination and suspicion in the English-speaking world. Encounters with Michael Arlen is a set of overlapping essays that reflect how the novelist was seen by himself and by his contemporaries.
Michael Arlen (born Dikran Sarkis Kouyoumdjian; [a], Armenian: Տիգրան Գույումճյան, 16 November 1895 – 23 June 1956) was an essayist, short story writer, novelist, playwright, and scriptwriter. He had his greatest successes in the 1920s while living and writing in England, publishing the best-selling novel The Green Hat in 1924.
Apr 5, 2024 · He must be a Jew, they thought. He wasn’t, but as an outsider Arlen appealed to Lawrence, who thought of himself the same way, except Lawrence refused to write the popular novels that made Arlen a fortune on both sides of the Atlantic.
Oct 3, 2023 · For all his success as a purveyor of popular fiction, he remained forever an ‘outsider’, arousing both fascination and suspicion in the English-speaking world. Encounters with Michael Arlen is a set of overlapping essays that reflect how the novelist was seen by himself and by his contemporaries.
Arlen was no longer an outsider, and used some of his profits to finance The Vortex, the first hit play from a fellow struggling writer, Noël Coward. He was now within the society circles which...
To be sure, perhaps Arlen was having us on -- he was after all an outsider -- born in Bulgaria, treated with suspicion during WWI because Bulgaria was an enemy, looked down on as an Armenian (one quote I have read has someone saying "Arlen is the only Armenian I've met who didn't try to sell me a carpet").
May 2, 2016 · If F Scott Fitzgerald was the chronicler of America's abandoned jazz era, in the UK it was Michael Arlen who catalogued the hedonism of the Lost Generation. As an outsider, he determined to become the most English of gentlemen, in his appearance and in his writing.
