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      • The soul sound began to take shape during the 1950s, the beginning of the modern Civil Rights movement. Pioneers Ray Charles and James Brown, followed by Brown, Sam Cooke, and Curtis Mayfield in the 1960s, tapped into the gospel music tradition to give a new voice to a people struggling for their rights as first-class citizens.
      timeline.carnegiehall.org › genres › soul
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  2. Aug 26, 2023 · Soul singers Lou Rawls and Bobby “Blue” Bland sang at his funeral in Los Angeles. Gospel singer Bessie Griffin was also due to sing but was too grief-stricken to perform; Ray Charles stepped up...

  3. With its roots in gospel music and the broader Black church culture, soul music captured the spirit, emotions, and chaos of the 1960s civil unrest that continued into the early 1970s. The soul sound began to take shape during the 1950s, the beginning of the modern Civil Rights movement.

  4. Apr 9, 2024 · The church played a crucial role during this time. The sermons and music provided comfort and fostered resilience and unity within African American communities throughout their journey. Gospel music, deeply intertwined with the church, evolved alongside the Great Migration.

  5. Influential gospel artists such as Mahalia Jackson, Sam Cooke, Ray Charles, Aretha Franklin, and Al Green profoundly shaped soul music through their powerful vocal styles and passionate deliveries.

  6. But examining it through a different lens—one that places it in pop culture—it unfurls the histories of modern music, reminding us that the soulful sounds of Ray Charles, the earnest wailing of Aretha Franklin, and the bluesy rock ‘n’ roll of Elvis Presley all owe themselves to the sonorous sounds of gospel.

  7. May 28, 2010 · Singers like Sam Cooke, Al Green and Aretha Franklin all began by singing gospel music, and Anthony Heilbut has captured some of gospel's greatest moments in a new DVD and CD...

  8. en.wikipedia.org › wiki › Soul_musicSoul music - Wikipedia

    Soul music has its roots in traditional African-American gospel music and rhythm and blues and as the hybridization of their respective religious and secular styles – in both lyrical content and instrumentation – that began in the 1950s.

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