Search results
The term post-disco is a referral to the early to late 1980s era movement of disco music into more stripped-down electronic funk influenced sounds; post-disco was also predecessor to house music. This chronological list contains examples of artists, songs and albums described as post-disco , as well as its subgenre, boogie .
Disco is a genre o dance muisic conteenin elements o funk, soul, pop, an salsa. It achieved popularity during the mid-1970s tae the early 1980s. Categeries: Disco. 1970s fads an trends. 1970s fashion. 1970s in muisic. African-American music.
Disco was a pop music program that aired in West Germany on the ZDF network from 1971 to 1982. It generally aired on the first Saturday of each month at 7:30PM, each show running 45 minutes. 133 shows were produced. The show was hosted by German actor and comedian Ilja Richter. [1] [2] Its lesser known predecessor on ZDF, 4-3-2-1 Hot & Sweet ...
Muzică disco. Muzica disco (de la discothèque, en. / fr. „ discotecă ”) este un gen muzical de divertisment apărut în anii 1970 în Europa și America de Nord. El provine din genul funk și cuprinde un repertoriu exclusiv destinat dansului.
Disco Demolition Night was a Major League Baseball (MLB) promotion on Thursday, July 12, 1979, at Comiskey Park in Chicago, Illinois, that ended in a riot. At the climax of the event, a crate filled with disco records was blown up on the field between games of the twi-night doubleheader between the Chicago White Sox and the Detroit Tigers.
Disko. Disko alebo disco je druh tanečného hudobného žánru, ktorý obsahuje prvky latinsko-americkej hudby, funku, soulu, popu, salsy a psychedelickej hudby. Tento hudobný štýl bol najpopulárnejší od polovice do konca 70. rokov 20. storočia, ale aj od tej doby sa jeho popularita niekoľkokrát nakrátko obnovovala. [6]
May 9, 2012 · Panic! at the Disco was an American rock band from Las Vegas, Nevada, originally consisting of Spencer Smith, Ryan Ross, Brendon Urie, Jon Walker and Brent Wilson. The band were discovered in 2004 by DCD2 record executive Pete Wentz, who heard the band's music after Ross sent Wentz a few of their demos through the social media platform LiveJournal.
