Johnny Depp
William "Bill" Blake
Search results
Dead man or Dead Man may refer to: Someone who is dead (man or woman) Dead Man, a 1995 film written and directed by Jim Jarmusch. Dead Man (soundtrack), a soundtrack album for the 1995 film by Neil Young. The Dead Man, a 1989 comic strip in 2000 AD.
Dead Man. Wounded and branded an outlaw, a young accountant named William Blake flees gunmen and travels the frontier. Nobody, an outcast Native American, aides Blake along a journey beyond the frailty of life as his physical existence grows thin.
May 19, 2015 · The story, with Nobody's help, leads William Blake through situations that are in turn comical and violent. Contrary to his nature, circumstances transform Blake into a hunted outlaw, a killer ...
With Dead Man, his first period piece, Jim Jarmusch imagined the nineteenth-century American West as an existential wasteland, delivering a surreal reckoning with the ravages of industrialization...
May 10, 1996 · Dead Man: Directed by Jim Jarmusch. With Johnny Depp, Gary Farmer, Crispin Glover, Lance Henriksen. On the run after murdering a man, accountant William Blake encounters a strange Native American man named Nobody who prepares him for his journey into the spiritual world.
Feb 23, 2024 · On the run after murdering a man, accountant William Blake encounters a strange Native American man named Nobody who prepares him for his journey into the...
Circumstances transform a mild-mannered accountant (Johnny Depp) into a notorious Old West gunslinger.
- (53)
- Western
- R
We discover the dead man is Dickinson's son, and the mill owner hires men to track and kill Blake. The next morning Blake regains consciousness in the forest to find his wound being tended by the Indian named Nobody (Gary Farmer), who was raised by white men, educated in England, and treats Blake as if he really is the poet.
On the run after murdering a man, accountant William Blake encounters a strange Native American man named Nobody who prepares him for his journey into the spiritual world.
Dead Man. With Dead Man, his first period piece, Jim Jarmusch imagined the nineteenth-century American West as an existential wasteland, delivering a surreal reckoning with the ravages of industrialization, the country’s legacy of violence and prejudice, and the natural cycle of life and death.
