Search results
People also ask
What is ethnomusicology?
Should ethnomusicology be used to study Western music?
How does ethnomusicology relate to musical semiotics?
What music is influenced by ethnomusicology?
May 23, 2024 · v. t. e. Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.
May 21, 2024 · This guide supports musicology, ethnomusicology and popular music studies at the University of Melbourne. It includes guides to researching books, journals, music scores, sound recordings and video.
- Julie Cohen
- 2010
May 17, 2024 · Frances Densmore (born May 21, 1867, Red Wing, Minn., U.S.—died June 5, 1957, Red Wing) was an ethnologist, foremost American authority of her time on the songs and music of American Indian tribes, and widely published author on Indian culture and life-styles. After studying at the Oberlin Conservatory of Music, Densmore conducted research in ...
- The Editors of Encyclopaedia Britannica
May 10, 2024 · Like a cry from the heart”: an insider’s view of the genesis of alan lomax’s ideas and the legacy of his research: part I. Ethnomusicology 62, 230–264 (2018). Article Google Scholar
6 days ago · Musical Iconography. Musical iconography is concerned with the depiction of music in the visual arts. It is a discipline in its own right, covering the illustration of musicians, instruments, music-making, and the use of musical imagery. See for example.
- Julie Cohen
- 2010
May 17, 2024 · Ethnomusicology Review. Ethnomusicology Review is a multilingual, refereed publication for interdisciplinary music scholarship. It is the graduate student publication of the UCLA Department of Ethnomusicology and is edited by graduate students and refereed by a faculty advisory board. Be sure and check out the "From the Archives" column which ...
May 21, 2024 · The author’s take on the study of music in culture requires a deeper commitment to cultural relativism, ethnographic work, and social theory. We have to credit Merriam for ethnomusicology’s subsequent distancing from musical structures, styles, and technicalities that gave room for the attention to music’s function and role in social life.
