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  1. Sofia Coppola

    American film director and screenwriter

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  1. en.m.wikipedia.org › wiki › Sofia_CoppolaSofia Coppola - Wikipedia

    Sofia Carmina Coppola (/ ˈkoʊpələ / KOH-pə-lə, [1] Italian: [soˈfiːa ˈkɔppola]; born May 14, 1971) is an American film director, screenwriter, producer, and former actress.

  2. Actress: The Godfather Part III. Sofia Coppola was born on May 14, 1971 in New York City, New York, USA as Sofia Carmina Coppola. She is a director, known for Somewhere (2010), Lost in Translation (2003), and Marie Antoinette (2006).

  3. Sofia Coppola, American film director, producer, and screenwriter best known for the films The Virgin Suicides (1999) and Lost in Translation (2003). In 2004 she was the first American woman to be nominated for an Academy Award in the category of best director.

  4. Sofia Coppola is an American director and actress. She acted in The Godfather trilogy and Star Wars Episode I: The Phantom Menace. She directed Lost in Translation, Marie Antoinette, The Virgin Suicides, The Beguiled, On the Rocks, Somewhere and The Bling Ring.

  5. Jan 22, 2024 · After an early life spent in front of the camera, Sofia Coppola made a career behind it, becoming one of the most influential and visually distinctive filmmakers of her generation, with...

  6. 968K Followers, 49 Following, 124 Posts - Sofia Coppola (@sofiacoppola) on Instagram: "Filmmaker"

  7. Nov 15, 2023 · Sofia Coppola is a film director, screenwriter, producer and actor. She directed The Virgin Suicides and Lost in Translation, winning an Oscar for the latter.

  8. Oct 31, 2020 · Sofia Coppola talks to Vogue about “On the Rocks,” her new comedy starring Bill Murray and Rashida Jones.

  9. Sofia Carmina Coppola (born May 14, 1971) is an American filmmaker and actress. The youngest child and only daughter of filmmakers Eleanor and Francis Ford Coppola, she made her film debut as an infant in her father's acclaimed crime drama film The Godfather (1972).

  10. Nov 10, 2023 · Nov. 10, 2023. For 25 years, Sofia Coppolas films have served as a stylistic manual for how to be sad, or at least disaffected, in our modern age.

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