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Rebecca Sonnenshine. Producer: The Boys. Rebecca Sonnenshine is known for The Boys (2019), The Vampire Diaries (2009) and Archive 81 (2022).
Archive 81 is an American supernatural horror television series developed by Rebecca Sonnenshine, who was also an executive producer for the show, along with Paul Harris Boardman and James Wan. The series was released on Netflix on January 14, 2022.
Rebecca Sonnenshine is known for The Boys (2019), The Vampire Diaries (2009) and Archive 81 (2022).
Jan 28, 2022 · Rebecca Sonnenshine is the creator of the show. No stranger to scares, she’s written for The Boys, Outcast, and Vampire Diaries. As Emmy nominated writer/producer had a say in many of the elements of Archive 81 that make in catnip for horror buffs.
Jan 14, 2022 · Rebecca Sonnenshine is going to a dark place. She spoke to Looper about the debut of "Archive 81" on Netflix and potentially bonding with an "X-Files" veteran.
As a writer, Sonnenshine is known for her work on The Vampire Diaries, Outkast, The Crossing, The Boys, and most recently, Archive 81. Her latest endeavor is an an 8-episode series about an archivist hired to restore a collection of tapes, only to discover the tapes may lead to a dangerous cult.
Jan 19, 2022 · "Archive 81" knows its roots. Showrunner Rebecca Sonnenshine told Looper about the influences that helped shaped the new Netflix series.
1,177 Followers, 277 Following, 100 Posts - Rebecca Sonnenshine (@rsonnenshine) on Instagram: "Writer/monster anthropologist/THE BOYS VAMPIRE DIAIRIES OUTCAST THE CROSSING and ARCHIVE 81/Cake Enthusiast/Loves ghosts/not great at Instagram".
Rebecca Sonnenshine is known as an Writer, Executive Producer, Co-Executive Producer, Creator, Teleplay, Co-Producer, Supervising Producer, Producer, and Screenplay. Some of her work includes The Vampire Diaries, The Boys, Outcast, The Haunting of Molly Hartley, The Keeping Hours, The Crossing, American Zombie, and Within.
Rebecca Sonnenshine is a graduate of the UCLA School of Theater, Film and Television. She was the recipient of a Nicholl Fellowship in Screenwriting and has attended the Film Independent Director’s Lab and the Berlinale Talent Campus.
