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  1. Daniel Pemberton (born 3 November 1977) is an English composer and songwriter. Primarily working in film, television, and video games, he is best known for composing the scores for the film Spider-Man: Into the Spider-Verse and its sequel Spider-Man: Across the Spider-Verse, the latter of which earned him a number of award nominations ...

  2. Daniel Pemberton was born on 3 November 1977 in the UK. He is a composer and actor, known for The Trial of the Chicago 7 (2020), Spider-Man: Across the Spider-Verse (2023) and Steve Jobs (2015).

  3. Jul 13, 2023 · Daniel Pemberton tells us about doing the music for Spider-Man: Across the Spider-Verse, Michael Mann’s Ferrari & his thoughts on AI and it's impact.

  4. Jun 9, 2023 · Composer Daniel Pemberton pushed a few boundaries and “made something really creative and different” when he scored 2018’s “Spider-Man: Into the Spider-Verse.”

  5. May 30, 2023 · Composer Daniel Pemberton breaks down the eclectic ‘Spider-Man: Across the Spider-Verse’ original motion picture soundtrack, dropping June 2.

  6. 1 day ago · By Jon Burlingame. Dan McFadden. A cool 1960s vibe, an old-fashioned love theme, dramatic music befitting a lunar landing: Daniel Pemberton ‘s score for “ Fly Me to the Moon ” needed to ...

  7. www.youtube.com › channel › UCx8A3xeX7vhVwbS-sTovELADaniel Pemberton - YouTube

    Welcome to the official YouTube channel of Daniel Pemberton, Composer, and Songwriter extraordinaire! Dive into a world of mesmerizing melodies, captivating compositions, and evocative...

  8. Composer Daniel Pemberton takes you behind the score of Spider-Man: Across the Spider-Verse with an inside look at "Start a Band."

  9. Daniel Pemberton is an Ivor Novello winning and multi-BAFTA nominated composer well known for embracing a wide range of musical mediums – from electronic to orchestral – throughout his work.

  10. Jun 16, 2018 · Gifted Golden Globes nominated composer, Daniel Pemberton speaks on remodeling the work of Bach within his explosive hybrid score for Ocean’s 8, how he convinced Aaron Sorkin to let him capture the essence of a rock band for Molly’s Game, and the innovative sequence he’s most proud of from medieval.

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