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  1. Paul Robert Coyle is known for Hercules: The Legendary Journeys (1995), Star Trek: Voyager (1995) and Crazy Like a Fox (1984). Add photos, demo reels. Add to list. More at IMDbPro. Contact info. Agent info. Known for. Hercules: The Legendary Journeys. 6.5. TV Series. Writer. 1997–1999 • 14 eps. Star Trek: Voyager. 7.9. TV Series. Writer.

  2. Paul Robert Coyle is a freelance writer who was involved in the writing of three Star Trek episodes, two of which were produced. In 1973, Coyle wrote a first draft script of "Point of Extinction", an episode which was submitted but never developed for Star Trek: The Animated Series. Years...

  3. Feb 19, 2023 · Joe Nazzaro meets writer Paul Robert Coyle, responsible for penning many of the most unusual episodes of Xena and Hercules, who admits he's nothing like that strange guy embodied by Michael Hurst in Yes, Virginia, There is a Hercules… Official Xena Magazine: Issue 10. Time travel; parallel universes; other-dimensional portals...

  4. Author's Note: Paul Robert Coyle is a great storyteller, as well as just an all-around great fellow. He is responsible for many key episodes of Xena: Warrior Princess as well as Hercules: The Legendary Journeys. His stories can be thoughtful, nail biting, or humorous, but they are inevitably entertaining.

  5. Paul Robert Coyle. Writer: Hercules: The Legendary Journeys. Paul Robert Coyle is known for Hercules: The Legendary Journeys (1995), Crazy Like a Fox (1984) and Star Trek: Deep Space Nine (1993).

  6. Paul Robert Coyle. Besides writing for hit TV series such as Crazy Like a Fox and Jake and the Fatman, Paul was a writer for Xena: Warrior Princess, a writer/producer for Hercules: The Legendary Journeys, and a writer for three Trek series – Star Trek: The Animated Series; Star Trek: Voyager; and Star Trek: Deep Space Nine.

  7. Steven L. Sears (Writer/Producer): “[This two-parter] was something that Paul [Robert] Coyle and I tackled. Paul [was] a writer and producer on Hercules and a freelance writer for us. So we kind of went back and forth over the stories. I would look at his, he would look at mine, and we’d give input to each other.

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