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Russell Harlan (standing), unknown, William C. McGann (director), Richard Dix, Frances Gifford, and Preston Foster on the set of American Empire (1942) Russell B. Harlan , A.S.C. (September 16, 1903 – February 28, 1974) was an American cinematographer .
Born Russell September 16, 1903 in Los Angeles, California to Frank and Bertha Harlan, who hailed from Iowa and Missouri. Russell was raised in Los Angeles along with his younger brother Richard (b. 1911). His paternal grandmother Sarah J. Harlan also lived with the family. Harlan started in the film industry as an actor and stuntman, and by the early 1930s was working behind the camera as an ...
Russell Harlan. Cinematographer: To Kill a Mockingbird. Born Russell September 16, 1903 in Los Angeles, California to Frank and Bertha Harlan, who hailed from Iowa and Missouri. Russell was raised in Los Angeles along with his younger brother Richard (b. 1911). His paternal grandmother Sarah J. Harlan also lived with the family. Harlan started in the film industry as an actor and stuntman, and ...
- September 16, 1903
- February 28, 1974
Cinematographer: To Kill a Mockingbird. Born Russell September 16, 1903 in Los Angeles, California to Frank and Bertha Harlan, who hailed from Iowa and Missouri. Russell was raised in Los Angeles along with his younger brother Richard (b. 1911). His paternal grandmother Sarah J. Harlan also lived with the family.
- Russell Harlan
- February 28, 1974
- September 16, 1903
Russell Harlan was an American cinematographer who worked on over 100 films and television shows during his career. He was born on September 16, 1903 in Los Angeles, California. He began his career in the early 1930s, working as a camera assistant on films such as The Public Enemy (1931) and Little Caesar (1931).
Russell Harlan was an active cinematographer in numerous westerns before he shot Lewis Milestone's "A Walk in the Sun" (1945), the first in a series of more distinguished productions for directors ...
California-born Russell Harlan broke into movies as a bit player and stuntman in western movies. But he had a hankering to enter the technical end of the business, so he was given his first opportunities as a cinematographer on Paramount's Hopalong Cassidy series.
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