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The Dark Corner is a 1946 American crime film noir directed by Henry Hathaway and starring Lucille Ball, Clifton Webb, William Bendix and Mark Stevens. The film was not a commercial success but has since been described as a "Grade A example of film noir."
The Dark Corner: Directed by Henry Hathaway. With Lucille Ball, Clifton Webb, William Bendix, Mark Stevens. A secretary tries to help her boss who's been framed for murder.
Mar 22, 2021 · The Dark Corner is a 1946 American crime film directed by Henry Hathaway and starring Lucille Ball, Clifton Webb, William Bendix and Mark Stevens.
Private investigator Bradford Galt has moved to New York from San Fransisco after serving a jail term on account of his lawyer partner Tony Jardine. When he finds someone is tailing - and possibly trying to kill him, Galt believes Jardine is behind it.
When Bradford Galt (Mark Stevens), a tough private investigator, realizes that he's being followed, he confronts his assailant, a shifty fellow named Fred Foss (William...
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- Crime, Drama
One of the latest releases is The Dark Corner(1946), Henry Hathaway's moody and stunningly photographed drama of a private investigator whose past continues to ensnare him. Mark Stevens plays Bradford Galt, a P.I. who has set up shop in San Francisco after serving a jail term on manslaughter charges.
The film is violent — death by fire poker, death by defenestration, brawling in the dark — and the plot is complicated, but the “smoking and stripes” palette created by Hathaway and cinematographer Joe MacDonald is consistently stunning.
In "The Dark Corner" Bradford Galt (Mark Stevens) is a tough private investigator who's been a victim of a gross miscarriage of justice and who, after having served a two year prison sentence, finds himself in circumstances which lead him to believe that, once again, he is being set up to be a fall guy.
The Dark Corner is a 1946 black-and-white film noir directed by Henry Hathaway starring Lucille Ball, Mark Stevens and Clifton Webb.
Sep 10, 2012 · Fine noir thriller, superbly paced by Hathaway, equally superbly shot by Joe MacDonald, and benefiting from the Fox trademark (at this time) of location shootin.
