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  1. Sundays and Cybele

    Sundays and Cybele

    1962 · Romance · 1h 50m

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  1. French. Sundays and Cybèle is a 1962 French drama film in Franscope [ fr], directed by Serge Bourguignon. Its original French title is Les dimanches de Ville d'Avray ( Sundays in Ville d'Avray ), referring to the Ville-d'Avray suburb of Paris. The film tells the tragic story of a young girl who is befriended by an innocent but emotionally ...

  2. Sundays and Cybèle: Directed by Serge Bourguignon. With Hardy Krüger, Nicole Courcel, Patricia Gozzi, Daniel Ivernel. Story of a lonely young girl who is befriended by an innocent but emotionally disabled veteran of the French Indochina War.

    • (4.8K)
    • Drama
    • Serge Bourguignon
    • 1962-11-21
  3. Sundays and Cybèle. In this provocative Academy Award winner from French director Serge Bourguignon, a psychologically damaged war veteran and a neglected child begin a startlingly intimate friendship—one that ultimately ignites the suspicion and anger of his friends and neighbors in suburban Paris. Bourguignon’s film makes thoughtful ...

    • Pierre
  4. Out now on Criterion Blu-ray/DVD: http://www.criterion.com/films/27912-sundays-and-cybele

    • 2 min
    • 30.3K
    • criterioncollection
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  6. Brief Synopsis. Read More. After killing a child on a routine bombing mission in Vietnam, Pierre suffers from delayed stress and partial amnesia. Returning to France, he lives like a vegetable until he meets a young girl who has been dumped by her father at a boarding school. Posing as her father, Pierre contrives to meet the girl every Sunday ...

    • Serge Bourguignon
    • Hardy Kruger
  7. Sundays and Cybele. Pierre (Hardy Kruger) is a former pilot in the French military, haunted by a traumatic wartime experience that resulted in the death of a child. When he sees 12-year-old Cybele ...

    • (11)
    • Romance
  8. Oct 1, 2014 · Sundays and Cybèle is keen to emphasize the notion of a harmless and guilt-free bond between the two characters. First, Pierre and Cybèle are presented as children; Bourguignon, indeed, called his film “the story of childhood recovered and childhood preserved." Pierre, despite being an adult, is depicted as a benign, dreamy, and innocent ...

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