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Hans Peter Wilhelm Arp (16 September 1886 – 7 June 1966), better known as Jean Arp in English, was a German-French sculptor, painter and poet. He was known as a Dadaist and an abstract artist.
Jun 3, 2024 · Jean Arp (born September 16, 1887, Strassburg, Germany [now Strasbourg, France]—died June 7, 1966, Basel, Switzerland) was a French sculptor, painter, and poet who was one of the leaders of the European avant-garde in the arts during the first half of the 20th century.
Jean Arp or Hans Arp (16 September 1886 – 7 June 1966) was a German-French sculptor, painter, poet, and abstract artist in other media such as torn and pasted paper.
Hans Peter Wilhelm Arp (16 September 1886 – 7 June 1966), better known as Jean Arp in English, was a German-French sculptor, painter and poet. He was known as a Dadaist and an abstract artist.
Read about the art and life of Jean Arp, a multi-disciplinary pioneering force in the development of Dadaism and other major avant-garde art movements.
German-French, 1886–1966. A pioneer of abstract art, Jean (aka Hans) Arp was instrumental in founding the Dada movement and participated actively in Surrealism and Constructivism. In his collages, reliefs, and sculptures, Arp often incorporated waste material such as ….
Apr 27, 2021 · A poet, painter and sculptor, the man known as Jean Arp by some and Hans Arp by others was ‘one of the most innovative and inexhaustible artists of his time’. Artist & Makers. 20th & 21st Century Art. 27 April 2021. Jean / Hans Arp (1887-1966) in his workshop studio in Clamart, Paris, circa 1948-1950.
Hans Peter Wilhelm Arp (16 September 1886 – 7 June 1966), better known as Jean Arp in English, was a German-French sculptor, painter and poet. He was known as a Dadaist and an abstract artist.
Jun 27, 2018 · The French sculptor and painter Jean Arp (1887-1966) was a pioneer of abstract art. His wooden reliefs and sculpture in the round are biomorphic in form and poetically allusive. Jean Arp was born in Strasbourg. He studied at the Academy in Weimar in 1905-1907 and at the Académie Julian in Paris in 1908.
In his later years Arp primarily produced three-dimensional sculptures that he modeled in plaster and translated into stone and bronze. Plaster enabled Arp to experiment with new, unique forms, such as the amoebalike shapes in Configuration in Serpentine Movements.
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