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- Annie Girardot (25 October 1931 – 28 February 2011) was a French actress. She played independent, hard-working and lonely women in many of her movies. She played Françoise in Love is a Funny Thing. She also played Marie Louise in Hearth Fires. Girardot was born in Paris. She died there from Alzheimer's disease at age seventy-nine.
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Annie Girardot. Actress: The Piano Teacher. Over the course of a five-decade career, she starred in nearly 150 films. She is a three-time César Award winner (1977, 1996, 2002), a two-time Molière Award winner, a BAFTA nominee, and a recipient of several international prizes including the Volpi Cup (Best actress) at the 1965 Venice Film ...
- October 25, 1931
- February 28, 2011
She is a three-time César Award winner (1977, 1996, 2002), a two-time Molière Award winner, a BAFTA nominee, and a recipient of several international prizes including the Volpi Cup (Best actress) at the 1965 Venice Film Festival for Three Rooms in Manhattan. Born in 1931, she was raised by her single mother,...
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- Paris, France
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- Paris, France
Mar 2, 2011 · March 1, 2011. Annie Girardot, a versatile French actress who played the doomed Milanese streetwalker in Luchino Visconti’s “Rocco and His Brothers” and, moving easily from drama to comedy,...
1931-2011. Biography: life and films. I n a career that spanned more than half a century, Annie Girardot appeared in over a hundred films and became one of France's best-loved and most highly regarded actresses.
Annie Girardot Active - 1956 - 2022 | Born - Oct 25, 1931 in Paris, France | Died - Feb 28, 2011 | Genres - Drama , Comedy , Romance Overview ↓
- October 25, 1931
- February 28, 2011
Feb 28, 2011 · Biography. Annie Girardot (25 October 1931 – 28 February 2011) was a French actress. She began performing in 1955, making her film debut in Treize à table. Girardot won the Prix Suzanne Bianchetti in 1956, and in 1977 won the César Award for Best Actress portraying the title character in Docteur Françoise Gailland.
Girardot was an accomplished stage actress whose early career in 1950s French cinema confined her to playing sexual vixens, similar in this to her contemporary Jeanne Moreau to whom she was often compared, both being considered jolies laides. Moreau moved on to the New Wave, Girardot to Visconti, but subsequently their paths diverged.