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A Delicate Balance is a three-act play by Edward Albee, written in 1965 and 1966. [1] Premiered in 1966, it won the Pulitzer Prize for Drama in 1967, the first of three he received for his work. The uneasy existence of upper-middle-class suburbanites Agnes and Tobias and their permanent houseguest, Agnes's witty and alcoholic sister Claire, is ...
- Edward Albee
- 1966
So reads the opening stage direction of Edward Albee’s three-act play, A Delicate Balance, first performed on September 12, 1966 in New York City at the Martin Beck Theatre. Indeed, the set description, although simple, provides the audience with essential elements of the play: a place for family and friends from the upper middle class to ...
A Delicate Balance, drama in three acts by Edward Albee, published and produced in 1966 and winner of a Pulitzer Prize in 1967. The play, about a middle-aged couple’s struggle to restore the “balance” of their routine after it has been threatened by intruding friends, is representative of the playwright’s concerns with the hidden ...
- Edward Albee
- 1966
Apr 2, 2013 · In recent years, A Delicate Balance has enjoyed many and new stunning revivals, running now, including a Broadway production in 1996, which won the Tony Award for Best Revival, and another at the Alameida Theatre in London in 2011. “Theatrical fireworks.” — The New York Times
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A Delicate Balance ~~ Edward Albee A Delicate Balance is Albee's masterpiece ... Many of my friends who inhabit the theatrical world view Albee's A Delicate Balance, as his finest work. For me, it is a difficult to chose between this and Who's Afraid of Virginia Woolf. Both are towering achievements, both are brilliant, both are riveting pieces ...
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A Delicate Balance is Edward Albee’s most conventional and realistic play. The setting of a single room for the duration of the play expresses the calmness and confinement of the characters ...
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A movie adaptation of Albee’s A Delicate Balance was produced in 1973 and directed by Tony Richardson. It stars such actors as Katharine Hepburn, Paul Scofield, Lee Remick, and Joseph Cotton. identify with one another in their roles as the “other”—people on the periphery of Tobias’s and Agnes’s lives.
