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    • The Ending Of A Ghost Story Explained - Looper
      • Here's the ending of "A Ghost Story" explained. The end of A Ghost Story circles back on itself A24 Following his death, C watches M grieve for him, and M eventually comes to the decision to move out of the home they shared. Before she does that, though, she writes a short note and leaves it in a crack in one of the house's wall.
      www.looper.com › 431409 › the-ending-of-a-ghost-story-explained
  1. May 30, 2024 · How Does 'A Ghost Story' End? While prepping the house for sale, M writes a note, leaves it in a crack, then paints over it. M has already discussed that she used to do this when she moved...

    • David Lowery
    • Rooney Mara, Casey Affleck
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  3. Jun 8, 2021 · The film circles back to the moment when C and M buy the house, and C dies in a car crash. C's ghost haunts the house and its inhabitants, until he reads a note that M left for him and vanishes.

  4. Jul 10, 2017 · Learn how the ghost played by Casey Affleck breaks free from the time loop and what the note he finds means in this thoughtful drama. The director reveals the spontaneous scene that bookends the movie and the personal message Rooney Mara wrote on the paper.

    • Ethan Anderton
  5. Jul 10, 2017 · ‘A Ghost Story’ Director David Lowery Explains That Unsettling Ending. The director discusses Rooney Mara's mysterious piece of paper and Casey Affleck's haunting, yet spontaneous, final...

  6. Dec 4, 2017 · In terms of ambiguous endings, the conclusion to David Lowery’s art house darling “A Ghost Story” is right up there with Bill Murray whispering unheard words into Scarlett Johansson’s ear in...

  7. David Lowery (Pete's Dragon) talked to me about A Ghost Story, working with Casey Affleck and Rooney Mara, the film's ending, and that incredibly long pie scene. ...more.

    • 12 min
    • 135.3K
    • ADAMICradio
  8. Oct 26, 2023 · A Ghost Story pulls the afterlife down from the heavens and confines it to a small ranch house, literally throwing a large white sheet over the supernatural. From scene to scene, Lowery thrusts normalcy upon the viewer by virtue of what Schrader calls the “long take,” typically minutes-long shots with minimal movement or action.

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