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  1. A Sunday in the Country

    A Sunday in the Country

    G1984 · Comedy drama · 1h 34m

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  1. "A Sunday in the Country" has a haunting, sweet, sad quality. It is about this family, and many families. It is told by Tavernier with great attention to detail, and the details add up to the way life is. There are three startling moments when reality is broken.

  2. 100% Tomatometer 7 Reviews 86% Audience Score 500+ Ratings This celebrated French film explores family dynamics in a clan on the eve of World War I. Monsieur Ladmiral (Louis Ducreux) is an...

    • (7)
    • Bertrand Tavernier
    • G
    • Louis Ducreux
  3. This is a very low-key film where nothing much happens but where one experiences the satisfaction of having spent a Sunday afternoon in the country engaged in conversation with intelligent people. Ducreux is excellent as the patriarch nearing the end of his life who relishes the visit from his dutiful son and free-spirited daughter, but is ...

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  5. All Critics. Top Critics. All Audience. Verified Audience. Nick Bornoff Japan Times. Reconstructing with scrupulous accuracy, it makes a period normally reserved for nostalgia vehicles seem utterly...

  6. It received generally positive reviews from critics. The film won Best Actress for Azéma, Best Adapted Screenplay, and Best Cinematography from a total of eight nominations, including Best Film, at the 10th César Awards. It was nominated for Best Foreign Language Film at the 42nd Golden Globe Awards and the 38th British Academy Film Awards . Plot.

  7. Jan 10, 2020 · STREET DATE: DECEMBER 17 TH, 2019/KINO CLASSICS. A French countryside Sunday 108 years ago provides both the narrow dramatic focus and a broader thematic tableaux of a family photographic album brought to vivid life. The English title A Sunday in the Country as poetic sounding as its French Un Dimanche à la campagne, Bertrand Tavernier’s ...

  8. Directed by Bertrand Tavernier. A bittersweet commentary on the injustice and dynamism of family politics. Film Review by Frederic and Mary Ann Brussat. It's easy to see why this film by Bertrand Tavernier won the Best Director prize at the 1984 Cannes Film Festival.

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