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- Der Blaue Reiter or The Blue Rider Group was founded in Munich, Germany in response against “traditional” methods of art. Their art explored the relationships between art, music, color, and spiritualism. Even though the group was short-lived their art and ideas contributed to the development of German Expressionism.
www.thecollector.com › der-blaue-reiterThe Brief Yet Extraordinary Art Movement of Der Blaue Reiter ...
Dec 8, 2023 · The 20th-century art collective known as Der Blaue Reiter translates to The Blue Rider group, and was a German Expressionist group based in Munich. The group was headed by Wassily Kandinsky and Franz Marc, alongside many other artists who shared a passion for spiritual concepts, abstraction, music, and prismatic colors to promote modern art.
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- The main artists associated with Der Blaue Reiter include Wassily Kandinsky, Franz Marc, August Macke, Alexej von Jawlensky, Paul Klee, and Mariann...
- Wassily Kandinsky, a famous Russian-German avant-garde artist, was the co-founder of Der Blaue Reiter, who was also regarded as the most famous art...
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- An Inner Renaissance
- An Artists’ Collective
- Primitivism and Spirituality
- “I Did Not Need Nature to Prompt Me”
- Folk Art
- Music
One of the editors of the book, the Russian artist Vasily Kandinsky, wrote of Der Blaue Reiter’sintent, “We aim to show by means of the variety of forms represented how the inner wishes of the artist are embodied.” This emphasis on the “inner” or subjective mental states of the artist, as opposed to the “outer” or objective experience of nature, is...
The members of the Blaue Reiter group, including Gabriele Münter, Franz Marc, Auguste Macke, Vasily Kandinsky, and Alexej von Jawlensky, banded together because they felt that the art establishment had shut them out of opportunities. In the modern period, like-minded artists would often form such cooperatives to sponsor their own exhibitions free f...
In addition to work by its members, the Almanac and the group’s exhibitions featured works by Medieval, non-European, and untrained folk artists — all of which would have been identified at the time as “primitive.’” For example, the illustrations accompanying the first essay, “Spiritual Possessions” by Franz Marc, include a 15th-century German wood...
Although he studied painting with the Russian Realist Ilya Repin, Alexei von Jawlensky deliberately rejected his training in favor of a childlike simplicity and directness in his later works. For example, his 1905 Self-Portrait, while painterly and simplified, is a convincing likeness of the artist, with naturalistic proportions and chiaroscuro mod...
Many of the Blaue Reiter artists were particularly interested in folk artists who had no professional training in art. Kandinsky and Gabriele Münter encountered a common Eastern European type of folk art, Bavarian glass painting, when they left Munich for the small town of Murnau. Münter’s Still-Life with St Georgeis a composition of folk-art objec...
The group’s belief that art had to go beyond merely representing material reality also took inspiration from music. Several of the essays in the Almanac were about music, including one by experimental composer Arnold Schönberg, and the sheet music for three compositions was included at the end of the Almanac. Kandinsky in particular admired the way...
The name Der Blaue Reiter, as Kandinsky later somewhat flippantly suggested, was chosen because fellow artist Franz Marc liked horses and Kandinsky liked riders, and they both liked the color blue. The group’s emblem was the Roman Christian soldier Saint George, who slew a dragon that was demanding human sacrifices.
- Lenbachhaus. The Blue Rider movement played an important role in German expressionist art in the early 20th century. The group was influenced by two painters: Moscow-born Wassily Kandinsky (1866-1944) and Munich-born Franz Marc (1880-1916).
- Pinakothek der Moderne. Various major works by Franz Marc, Wassily Kandinsky, Alexei Jawlensky and August Macke, who founded The Blue Rider are exhibited in the Pinakothek der Moderne.
- Münter Haus. The Münter House in picturesque Murnau am Staffelsee in Upper Bavaria was an important place of inspiration for the new artistic movement.
- Summerhouse in the backyard. Kandinsky recalled the following: “We invented Der Blaue Reiter while sitting at the coffee table, in the gazebo. We both loved blue, Marc the horses, I liked the riders”.
The Blue Rider (Der Blaue Reiter) was an informal collective of modern expressionist artists who came together in Munich, Germany in 1911. Led by artists including Wassily Kandinsky, Gabriele Münter and Franz Marc, the group aimed to explore the emotional and spiritual dimensions of art, emphasising abstraction, symbolism and expressive mark ...
Der blaue reiter. Blue wonders in the Blue Land. The Blue Land owes its name to the artists who found inspiration in the region and created their works there. Above all, Franz Marc, who gave the area this “honorary title” due to the changing bluish color and lighting moods.