The Farmer's Daughter (1947 film)
1947
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- Surely a film that shows both its age and its seams, Come to the Stable nonetheless remains a testament to old Hollywood's ability to sell anything it put its mind to. Rated: 54/100 • Feb 15, 2009 Page 1 of 3, 5 total items. Not an especially interesting story despite a few strong performances. Rated 2/5 Stars • 03/30/23
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In this heartwarming 1949 film, Sister Margaret (Loretta Young) and Sister Scholastica (Celeste Holm) arrive unannounced and determined to build a children's hospital in the small New England town...
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Come to the Stable Reviews. Dooley Wilson, who scored one of...
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Come to the Stable: Directed by Henry Koster. With Loretta Young, Celeste Holm, Hugh Marlowe, Elsa Lanchester. Two nuns arrive unannounced in the small New England town of Bethlehem, where they recruit various townspeople to help them build a children's hospital.
- (1.6K)
- Comedy, Drama
- Henry Koster
- 1949-09
Come to the Stable is a 1949 American comedy drama film that tells how two French religious sisters come to a small New England town and involve the townsfolk in helping them to build a children's hospital. It features Loretta Young, Celeste Holm, Hugh Marlowe, Elsa Lanchester, Thomas Gomez, Dooley Wilson and Regis Toomey .
Come to the Stable Reviews. Dooley Wilson, who scored one of the screen's most sensational debuts in Humphrey Bogart's Casablanca, is here reduced to a lowly chauffeur... [his] fine talent is...
Come to the Stable (1949) *** (out of 4) Excellent performances and a touching story highlight this comedy/drama about a pair of nuns (Loretta Young, Celeste Holm) who travel from France to New England where they plan on building a children's hospital.
Come to the Stable - (Original Trailer) Two nuns (Loretta Young, Celeste Holm) set up a children's hospital in the New England countryside in Come to the Stable (1949).
Come to the Stable, which received seven Academy Award nominations, is more conventional, more sentimental, and more pious than Lilies of the Field, which won its Oscar (Poitier’s Best Actor); it’s not as interesting a film, but has its own gentle charm.
