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  1. Feb 17, 1995 · As the movie opens, a Harvard law professor named Armstrong (Sean Connery) is attacking capital punishment in a campus debate. Then an elderly black woman (Ruby Dee) hands him a letter from her son, who is on Death Row in Florida for a murder he says he didn’t commit.

    • Rico's new tricks are goofy physics fun, but it's missing a big new idea to call its own.
    • Verdict

    By Dan Stapleton

    Updated: Dec 5, 2018 8:01 pm

    Posted: Dec 4, 2018 1:45 am

    After wrapping up around 20 hours worth of Just Cause 4’s story missions and having destructive fun blowing up basically all the things, I went back and read my review of Just Cause 3 from 2015. This, I thought, explains that deja vu sensation. With a few additions, reading that review will tell you everything you need to know about Just Cause 4’s strengths. This is a very iterative sequel, and therefore it’s just as gloriously over-the-top and action-movie stupid as the last one. It does learn from and address many of Just Cause 3’s mistakes, especially when it comes to some of the more annoyingly repetitious mission types, but it doesn’t really come with a must-have new idea to give it its own identity.

    If you’re keeping track, this is now the fourth Latin tropical despot whom Rico Rodriguez – effectively the secret lovechild of Wolverine and a flying squirrel who is also a secret agent – has set out to depose. Adding the personal angle of Rodriguez family involvement in Dictator #4’s weather-control scheme means very little due to the completely twist-free nature of the story, especially since that dictator shows up only at the beginning and end. I did enjoy the way cutscenes lay out the next series of mission objectives as steps toward a long-term goal, almost Ocean’s 11-style, but otherwise it’s yet another tale of regime change via explosion.

    In the absence of a new Red Faction game, Just Cause 4 is at the top of its field when it comes to blowing stuff up. Virtually everything that’s red – and a few things that aren’t – will explode when damaged, and destroying one of the huge, Epcot Center-like fuel tank spheres produces some of the most spectacular fireballs seen in any game. I can’t stress enough how big a part of the satisfaction of Just Cause 4 comes down to watching a thunderous chain reaction of detonations. But, at the same time, that’s all carried over from the previous game, and I’d have loved to have seen Just Cause 4 double down even more on destructibility. It doesn’t, really.

    Just Cause 4 has everything you expect from a Just Cause game, almost to a fault. Relative to Just Cause 3 the improvements are widespread across its beautiful open world, but generally minor. So while blowing up yet another dictator’s army is the same kind of mindless explosive fun and physics-based comedy the series is built on, it doesn’t do muc...

  2. www.metacritic.com › game › just-cause-4Just Cause 4 - Metacritic

    Dec 4, 2018 · Just Cause 4 is an easy-to-play sandbox of chaos with a sprinkling of extreme weather. It holds strong due to an improved grapple and varied tools, and while this explosive sequel won’t set the world on fire, you can blow up enough things to make it interesting.

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  3. Jul 10, 2019 · Just Cause 4 is the latest entry in gaming's most explosive open world franchise, but does it bring enough to the table to be worth picking up? It absolutely does. Here's our full review.

    • lowryb3865@gmail.com
    • Brendan Lowry
  4. Dec 3, 2018 · 73. Just Cause 4 review. Avalanche's latest has enough new hooks and tethers to keep up the adrenaline… just. Reviews. By Robert Zak. published 3 December 2018. Comments. Our Verdict. Still...

    • Robert Zak
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  5. Paul Armstrong (Sean Connery), a law professor who staunchly fights the death penalty, is lured into defending a death row inmate, Bobby Earl Ferguson (Blair Underwood), convicted of rape and...

    • (31)
    • Drama
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  6. www.metacritic.com › movie › just-causeJust Cause - Metacritic

    Feb 17, 1995 · Just Cause is an entertaining if overwrought death-row thriller built on the pros and cons of the capital punishment debate, and it owes most of its appeal to the presence of Sean Connery. [17 Feb 1995, p.03]

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