Young Frankenstein
1974
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She is known for comedic roles in films directed by Peter Bogdanovich and Mel Brooks, including What's Up, Doc? (1972), Young Frankenstein (1974), High Anxiety (1977), History of the World, Part I (1981), and her Academy Award –nominated roles in Paper Moon (1973) and Blazing Saddles (1974).
Madeline Kahn delivers an epic line the way nobody else can.
Young Frankenstein Details. Full Cast and Crew; Release Dates; Official Sites; Company Credits; Filming & Production; Technical Specs
Dec 15, 1974 · With Gene Wilder, Peter Boyle, Marty Feldman, Madeline Kahn. An American grandson of the infamous scientist, struggling to prove that his grandfather was not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.
A few very funny outtakes from the Young Frankenstein scene where Madeline Kahn portrays the role of the fiancée, Elizabeth, to the young Dr. Frankenstein, a...
Mar 23, 2022 · Young Frankenstein (Mel Brooks, 1974) - Inside the Lab - Documentary. Extended Scenes & Outtakes from Young Frankenstein, by Mel Brooks. Starring Gene Wilder, Madeline Kahn, Marty...
The film co-stars Teri Garr, Cloris Leachman, Marty Feldman, Madeline Kahn, Kenneth Mars, Richard Haydn, and Gene Hackman . The film is a parody of the classic horror film genre, in particular the various film adaptations of Mary Shelley 's 1818 novel Frankenstein; or, The Modern Prometheus produced by Universal Pictures in the 1930s. [ 5] .
Elizabeth is Frederick's fiancée, although she's about as interested in him as he is in being a Frankenstein at the beginning of the movie. As sexy as she seems to act, she mostly avoids any physical contact from him.
Apr 24, 2024 · Born on September 29, 1942, Boston, Massachusetts, Madeline Kahn played the role of Elizabeth in Young Frankenstein. Kahn was in the movie Paper Moon (1973) opposite Ryan O’Neal and was nominated for an Academy Award for Best Supporting Actress for her role.
Filmed in authentic black-and-white with a haunting score by John Morris, Brooks’s film manages to be uproarious yet surprisingly touching, with Teri Garr and Madeline Kahn providing priceless support.
