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15K. 1.6M views 10 years ago #classicalguitar #spanishguitar #asturias. Michael Lucarelli plays "Asturias" by Issac Albeniz from CD 'CHOICES' available:...
- 6 min
- 1.6M
- Michael Lucarelli
May 28, 2015 · Ana Vidovic plays Asturias by Isaac Albéniz on a Jim Redgate classical guitar - YouTube. SiccasGuitars. 552K subscribers. Subscribed. 559K. 46M views 8 years ago #SiccasGuitars. Find your...
- 7 min
- 46.7M
- SiccasGuitars
Scores/tabs https://robertlunn.com Leyenda is the piece that made me want to learn classical guitar. Before I heard this piece I was playing a lot of electri...
- 45 min
- 712.1K
- Robert Lunn
- Introduction and Preparation
- Technical Preparation
- A Section
- M. 16-17
- M. 24-32
- M. 33-37
- M. 40-46
- M. 49-61
- B Section
- M. 75-99
- GeneratedCaptionsTabForHeroSec
One of the most beloved pieces in classical guitar literature, “Asturias” was composed by Isaac Albéniz, a virtuoso pianist from Spain. “Asturias” is heavily influenced by flamenco music, specifically that of the Andalusian tradition. Andrés Segovia’s arrangement is the most influential edition used today, but you can use any arrangement to complet...
While it’s often tempting to jump straight into playing at full speed, it’s important to move slowly and work in sections. Identify the technical issues and work through them. Make sure that twenty to thirty minutes of scales and warm-ups are a regular part of your practice. Keep your left wrist straight, and press with the tip of your fingers. Kee...
Once you’ve selected a tempo on your metronome, keep it constant from beginning to end. You may play measures 1-16 with the right-hand fingering ‘p m p i’, or ‘p i p i”. Make sure the right-hand fingers move independently from one another. While practicing, you can accent the first beat slightly to help keep time. You can also practice with a dotte...
Play a slight crescendo in measure 16 so the octaves in measure 17 are very clear. Use the thumb for both strings to get the strongest sound with the least effort. Make sure you remain in tempo. The triplet arpeggios that begin in measure 17 should be very well articulated! You can also use a dotted rhythm to practice (as we did on the previous pag...
The piece should get gradually louder up to measure 25. Maintain a sound that isn’t too harsh. We should hear every note clearly in the chord at measure 25. Take your time here, but without losing the tempo or taking any pauses. Prepare the first-finger barre several notes before the chord. There are two ways to play measures 25-32. You can play ra...
Measure 33 is the loudest point of the A section. Emphasize this barre chord slightly more than the others, and then bring the dynamics down in the bars that follow. Keep your left-hand as relaxed as possible, even during the tricky fourth-finger stretch in measure 37 (pictured below). There’s no need to press very hard with the fourth finger or th...
As you transition from measure 39 to measure 40, the first finger must remain perfectly straight. Pause before shifting. Measures 41-46 should come down in volume. Don’t be afraid to take practice breaks! If you use too much pressure in this piece, you risk injuring your hand. Remember to keep the triplets well-articulated and keep the melody stead...
Let’s finish up the A section! Measure 49 is a repeat of the material at the very beginning. Measure 53 begins the final stretch towards the end. Push the elbow out a bit in measure 54. This helps you reach the sixth string. Don’t forget to add soft dynamics in this section, getting softest at the end of measure 58. It’s important to create a contr...
The B Section is quite different from the A section. Focus on enjoying the guitar’s sound and exploring as many expressive sounds as you can. Continue practicing with a metronome, however, there is no need to play fast! The more contrast you can create between the A and B sections, the better. Ana suggests playing the octaves simultaneously (as wri...
Bars 75, 76, and 77 feature a beautiful melody in octaves. Try playing a little louder, and dig into the strings a bit more. Let the fermata in measure 78 ring a bit longer than usual before moving on. Begin measure 79 softly and play a crescendo into the melody that follows. Feel free to take liberties with this section, as long as the changes you...
Learn how to play each section of Albeniz's Asturias with proper technique and phrasing. This blog post provides tips, examples, and a video lesson for classical guitarists of all levels.
Dec 13, 2013 · Asturias (Leyenda) – No. 5 from Suite Española, Op. 47 by Isaac Albéniz (1860-1909). PDF sheet music or tab arranged for classical guitar. The level is fairly advanced (Grade 10).
Learn how to play Asturias (Leyenda), a piano composition by Isaac Albéniz, on the guitar. Find guitar tabs, scores, videos and tips from Classical Guitar Music website.
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Learn about the history, style and arrangement of Asturias (Leyenda), a classic guitar piece by Isaac Albéniz. Watch a live workshop with tips and insights on how to play and listen to this music.
