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Internationally acclaimed bass Harold Wilson has enjoyed a successful career on both sides of the Atlantic. As a member of the Deutsche Oper Berlin for five seasons, he sang over 30 roles including Arkel in Pelléas et Mélisande, Raimondo in Lucia di Lammermoor, Sarastro in Die Zauberflöte, Roucher in Andrea Chenier, and Monterone in Rigoletto.
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Harold Wilson begins his 2016-2017 season in a return to Opera Colorado, singing Ashby in La fanciulla del West. He continues the season debuting the role of Mustafa in L’italiana in Algieri with Sarasota Opera, Oroe in Semiramide with Opera Delaware, and Ernesto in Il Pirata with The Caramoor Festival.
Harold Wilson, Bass. Harold Wilson’s 2021-22 season features a return to the Metropolitan Opera for multiple productions, including Boris Godunov, Die Meistersinger von Nürnberg, The Rake’s Progress, and Elektra, in which he sings the Guardian. Future seasons will see his return to Opera Colorado for two productions. During the COVID-19 ...
Artist profile - Harold Wilson, bass. As a member of the Deutsche Oper Berlin for five seasons, Bass Harold Wilson sang over 30 roles with the company, including: Arkel in Pelléas et Mélisande, Raimondo in Lucia di Lammermoor, Sarastro in Die Zauberflöte, Zuniga in Carmen, and the Hermit in Der Freischutz.
Biography. As a member of the Deutsche Oper Berlin for five seasons, bass Harold Wilson sang over 30 roles with the company, including: Arkel in Pelléas et Mélisande, Raimondo in Lucia di Lammermoor, Sarastro in Die Zauberflöte, Zuniga in Carmen, and the Hermit in Der Freischutz.
"As Ernesto, Harold Wilson, a stentorian bass, sang with impressive focus, carrying power and quiet charisma." —Anthony Tommasini, New York Times "As the third side of the traffic triangle, Imogene's husband Ernesto, bass Harold Wilson made an imposing foe for Gualtiero, his suave voice making the piece's villain somehow charismatic and even a bit sympathetic."
