Search results
Maria Luisa of Parma (Luisa Maria Teresa Anna; 9 December 1751 – 2 January 1819) was, by marriage to King Charles IV of Spain, Queen of Spain from 1788 to 1808 leading up to the Peninsular War. Her relationship with Manuel Godoy and influence over the King made her unpopular among the people and aristocrats.
Jan 15, 2021 · Learn about the life and reputation of Maria Luisa of Parma, the wife of King Charles IV of Spain and the mother of Ferdinand VII. She was born in 1751, married at 14, suffered many miscarriages and stillbirths, and was influenced by her first minister Manuel de Godoy.
Princess Maria Luisa of Bourbon-Parma (Marie Louise Pia Theresa Anna Ferdinanda Francisca Antoinette Margaret Josepha Carolina Blanche Lucia Apollonia; 17 January 1870 – 31 January 1899) was the eldest daughter of Robert I, the last reigning Duke of Parma.
A formal court portrait of Maria Luisa of Parma, granddaughter of Louis XV and Philip V, painted in Italy in 1765 for her marriage to Carlos IV of Spain. The portrait features French decorative arts and crafts, such as a bronze clock case, a gold snuffbox, and a chair.
Maria Luisa of Parma (9 December 1751 - 2 January 1819) was Queen consort of Spain from 1788 to 1808 as the wife of King Charles IV of Spain. She was the youngest daughter of Duke Philip of Parma and his wife, Louise Élisabeth of France, the eldest daughter of King Louis XV.
Born on December 9, 1751; died on January 2, 1819; daughter of Philip de Bourbon (1720–1765, duke of Parma and son of Elizabeth Farnese), and Louise Elizabeth (1727–1759, daughter of Louis XV of France); married Charles IV (1748–1819), king of Spain (r. 1788–1808), on September 4, 1765; children: Carlota Joaquina (1775–1830); Maria ...
People also ask
Who was Maria Luisa of Parma?
Who painted Maria Luisa of Parma?
Why did Maria Luisa leave Parma?
Who was Maria Luisa?
Portrait of Maria Luisa of Parma is a portrait of Maria Luisa of Parma, wife of Charles IV of Spain, produced as a pendant painting to a portrait of her husband. [1] Both works were long thought to be a copy after an autograph work by Francisco Goya, but they have now been definitively reattributed as autograph works by Goya himself, produced ...
