Shockproof
1949
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Patricia Knight (born Marjorie Heinzen; [1] April 28, 1915 [citation needed] – October 26, 2004) was an American actress who appeared in a few movies in the late 1940s and early 1950s. Career. In 1949, Knight and her husband, Cornel Wilde, acted at Cape Playhouse in a production of Western Wind. [1] .
Patricia Knight. Actress: Shockproof. This hazel-eyed knockout was born Marjorie Heintzen on April 28, 1915 (although several sources list her birth date as either 1918 or 1920). Her Bostonian father was a leather broker and Patricia received her formal education at a private school.
Jan 20, 2023 · Amy Roloff kept her family close as she marked a big milestone for her late mother Patricia Knight. The Little People, Big World star, 60, shared photos on Thursday from her time spent with...
Patricia Knight Photo Gallery. Patricia Knight (Marjory / Margaret Heinzen); Glamour Girls of the Silver Screen - The Private Lives and Times of Some of the Most Glamorous Actresses and Starlets of the Forties, Fifties and Sixties.
Oct 26, 2004 · Patricia Knight (born Marjorie Heinzen, April 28, 1915 – October 26, 2004) was an American actress who appeared in a few movies in the late 1940s and early 1950s.
The Fabulous Texan. actress. 84 years biography, photo, best movies and TV shows, news, birthday and age, Date of Death. «The Lone Wolf» (1954), «The Magic Face» (1951), «The Second Face» (1950), «Shockproof» (1949), «Roses Are Red» (1947)...
Patricia Knight (born Marjorie Heinzen; April 28, 1915 [citation needed] – October 26, 2004) was an American actress who appeared in a few movies in the late 1940s and early 1950s.
Patricia Knight, born Marjorie Heintzen, was an American actress who appeared in a few movies in the late 1940s and early 1950s.
Birthday: Apr 28, 1920. Birthplace: Boston, Massachusetts, USA. Highest rated movies. Shockproof. Watchlist. Photos. See all photos. Filmography. Movies. Explore the filmography of Patricia...
In the still for Shockproof the leading actress, Patricia Knight, in her role as murderer-heroine, stares out past the camera with a male corpse at her feet. The construction of the room is off-kilter, seemingly assembled from different viewpoints, with distorted perspective and multiple light sources creating a sense of disquiet.
