Robin Williams
Henry Sagan, 'Parry'
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The Fisher King is a 1991 American fantasy comedy-drama film written by Richard LaGravenese and directed by Terry Gilliam.
Sep 27, 1991 · The Fisher King: Directed by Terry Gilliam. With Jeff Bridges, Adam Bryant, Paul Lombardi, David Hyde Pierce. A former radio DJ, suicidally despondent because of a terrible mistake he made, finds redemption in helping a deranged homeless man who was an unwitting victim of that mistake.
Sep 20, 1991 · “The Fisher King” is a disorganized, rambling and eccentric movie that contains some moments of truth, some moments of humor, and many moments of digression.
After shock jock Jack Lucas (Jeff Bridges) inadvertently provokes a caller into murdering a group of innocent people in a Manhattan bar, he grows depressed and turns to...
- (65)
- Comedy, Drama
- R
A former radio DJ, suicidally despondent because of a terrible mistake he made, finds redemption in helping a deranged homeless man who was an unwitting victim of that mistake. Jack Lucas was once a famous, arrogant and egotistical New York City call-in radio talk show host.
The Fisher King. A suicidal radio star (Jeff Bridges) and a homeless eccentric (Robin Williams) join forces in a search for the Holy Grail. Rentals include 30 days to start watching this video and 48 hours to finish once started.
367. Robin Williams, Jeff Bridges, Amanda Plummer and Mercedes Ruehl star in Terry Gilliam's must-see comic masterpiece. Williams is Parry, a homeless history...
Sep 20, 1991 · Robin Williams, Jeff Bridges, Amanda Plummer and Mercedes Ruehl star in Terry Gilliam's must-see comic masterpiece. Williams is Parry, a homeless history professor who lives in a fantasy world full of castles, Red Knights and damsels in distress.
The Fisher King. A fairy tale grounded in poignant reality, Terry Gilliam’s magnificent, Manhattan-set The Fisher King features Jeff Bridges and Robin Williams in two of their most brilliant roles.
Sep 20, 1991 · Despite the intriguing premise and exceptional cast, “The Fisher King” is unable to rise above mediocrity, weighed down heavily by its horrendously wordy and meaningless script. Writer Richard LaGravenese either allowed the actors free reign or butchered the dialogue.
