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What is the difference between musicology and ethnomusicology?
What is ethnomusicology anthropology?
Should ethnomusicology be used to study Western music?
Do Ethnomusicologists study music as a domain of Culture?
Apr 25, 2021 · One of the main differences between musicology and ethnomusicology can be found in the way in which data are collected. While musicology makes use of preexisting sources such as music scores, literary, archaeological and iconographical materials, ethnomusicology collects data through fieldwork.
Rebecca Bodenheimer. Updated on December 20, 2019. Ethnomusicology is the study of music within the context of its larger culture, though there are various definitions for the field. Some define it as the study of why and how humans make music. Others describe it as the anthropology of music.
Jul 1, 2013 · The influences of ethnomusicological theory and method on scholarly and practical aspects of music education will be considered here, as well as the nature of music education's impact on the scholarship and teaching by ethnomusicologists.
- Patricia Shehan Campbell
- 2013
Ethnomusicology, field of scholarship that encompasses the study of all world musics from various perspectives. It is defined either as the comparative study of musical systems and cultures or as the anthropological study of music. Although the field had antecedents in the 18th and early 19th.
Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.
Music can be described as humanly organized, meaningful sounds that have physical properties and physiological, psychological, social, and cultural attributes (to the extent these can or should be distinguished in practice). Ethnomusicology, literally the study of the music of communities ( ethnos ), has been defined as the study of music in ...
Feb 20, 2012 · The extent to which musicology has changed over the last 15 years is made clear by the fact that Stock's (1997a) characterisation of the differences between musicology and ethnomusicology now seems surprisingly (and pleasingly) dated if one looks at current work in the field.
