Search results
Post-Internet is a loosely-defined term [1] that was coined by artist/curator Marisa Olson in an attempt to describe her practice. [3] It emerged from mid-2000s discussions about Internet art by Gene McHugh (author of a blog titled "Post-Internet"), and Artie Vierkant (artist, and creator of Image Object sculpture series). [4]
It looks at changes taking place in the age of the ubiquitous internet, to information dispersion, artwork documentation, human language, and approaches to art history.
Mar 18, 2014 · Artie Vierkant's 2010 essay "The Image Object Post-Internet" sparked much of the recent conversation surrounding art after the Internet. In it, Vierkant, an artist himself, surveys the way we engage with images in the post-Internet era, when they can be shared, reproduced, altered, and distributed more easily than ever before in human history.
Oct 29, 2015 · Oct 29, 2015 8:18AM. The proliferation of “post-” as a prefix for contemporary art terms (e.g. Post-Impressionism, Postmodernism, Postminimalism, Post-painterly Abstraction) has now spread to the digital realm, with derivatives including “post-analog,” “postdigital,” and “post-internet.”
Jan 1, 2014 · This increase in online commissioning matches the rise of the much-debated idea of “post-internet” art, initially coined by artist Marisa Olson and sometimes called...
Jun 29, 2021 · In Post-Internet Art and Pre-Internet Art Education, Sweeny starts by first describing the early history of the Internet, using historical and familiar concepts from Bush , Castells , and Manovich , and argues that forms of interaction and engagement facilitated by this history have led to a post-internet condition. By inquiring into the ...
This dissertation puts an emphasis on theorizing the concept of post-Internet by referring to invisible infrastructures that shape the Internet, conceptualized by James Bridle as ’the New Aesthetic’; critique of neoliberal agents on the Internet as discussed by Zach Blas; the validity of distinction between digital and physical culture in the ag...
