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  1. The Last Lear

    The Last Lear

    2008 · Drama · 2h 3m

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      • Based on Utpal Dutt's classic play, Aajker Shahjahan, The Last Lear is a sad example of how adaptation can sometimes scuttle a good script and transform a landmark theatrical experience into flawed cinema.
      timesofindia.indiatimes.com › entertainment › hindi
  1. Arjun Rampal and Divya Dutta are very good as well. I knew from the very beginning that this film would not work for the wide audience, it's a film for people who like artistic films and festival stuff. This is not a particularly entertaining film, but I enjoyed it mainly due to Bachchan's performance.

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  3. An aging theater actor is lured out of his retirement by an ambitious film director. The truth behind the actor's decision to quit theater reveals itself during the making of the film.

    • (50)
    • Rituparno Ghosh
    • Drama
    • Amitabh Bachchan
  4. The Last Lear is a 2007 Indian English-language drama film directed by Rituparno Ghosh. The film won the National Award of India for Best Feature Film in English in 2007. [2] The film stars Amitabh Bachchan, Preity Zinta, Arjun Rampal, Divya Dutta, Shefali Shah and Jisshu Sengupta.

  5. Sep 12, 2008 · The Last Lear: Directed by Rituparno Ghosh. With Amitabh Bachchan, Preity G Zinta, Arjun Rampal, Shefali Shah. An aging Shakespearean actor takes on one of the bard's most challenging roles.

    • (1.2K)
    • Drama
    • Rituparno Ghosh
    • 2008-09-12
  6. Sep 12, 2008 · Ultimately, The Last Lear is neither a study nor a summary. It is an indulgent celebration of a larger-than-life personality, a classic consumed, for better or worse, by his art.

  7. Sep 12, 2008 · Based on Utpal Dutt's classic play, Aajker Shahjahan, The Last Lear is a sad example of how adaptation can sometimes scuttle a good script and transform a landmark theatrical experience into flawed cinema.

  8. Sep 10, 2007 · A grand old stage vet experiences a tragic downfall when he ventures into his first starring film role in “The Last Lear,” Rituparno Ghosh’s badly calculated behind-the-scenes meller that...

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