Search results
filmaffinity.com
- Starring James Spader, Deborah Kara Unger, Elias Koteas, Holly Hunter and Rosanna Arquette, it follows a film producer who, after surviving a car crash, becomes involved with a group of symphorophiliacs who are aroused by car crashes and tries to rekindle his sexual relationship with his wife.
en.wikipedia.org › wiki › Crash_(1996_film)
Nov 7, 2021 · While the plot is extremely complex, the premise itself is simple. Crash follows District Attorney Rick and his wife Jean after the two get their car stolen by Anthony and Peter. Anthony and Peter end up hitting a Korean man with the car and dump him at a hospital.
- Senior Updates Writer/TV Features Writer
People also ask
What is the premise of crash?
What happens in Crash based on a true story?
Is crash a good movie?
What is the ending of crash?
Starring James Spader, Deborah Kara Unger, Elias Koteas, Holly Hunter and Rosanna Arquette, it follows a film producer who, after surviving a car crash, becomes involved with a group of symphorophiliacs who are aroused by car crashes and tries to rekindle his sexual relationship with his wife.
- Martin Barker, Jane Arthurs, Ramaswami Harindranath
- 2001
Mar 21, 1997 · It is a strange and insightful film about human sexual compulsion (“Belle de Jour,” “Peeping Tom,” and “Damage,” are others). By deliberately removing anything that an audience member is likely to find even remotely erotic, Cronenberg has brought a kind of icy, abstract purity to his subject.
by Paul Haggis. Buy Study Guide. Crash Summary. The film opens with a commentary by Detective Graham Waters. He and his partner, Ria, have been involved in a car accident with an elderly Asian woman. Ria exits the car and exchanges a series of racially charged insults with the woman.
- Paul Haggis
Oct 6, 2023 · Discover 32 fascinating facts about the critically acclaimed movie Crash, from its unique ensemble cast to its thought-provoking exploration of racial tensions.
Dec 9, 2020 · Cronenberg tackles the emptiness of mundanity and how the film’s car-crash victims find a connection in the brutal mechanism of the automotive accidents they participate in and witness, and how their yearning for the collective modernity of these violent events shape their newfound epiphanies.
Mar 21, 1997 · It's a far out, all or nothing premise. What's disturbing to audiences isn't that Crash condemns such amorality, but that its characters are stretching their battered and scarred bodies into something new. Very little is discovered about these people besides their extreme proclivities.
