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  1. ASIA GREATEST HITS. A new music service with official albums, singles, videos, remixes, live performances and more for Android, iOS and desktop. It's all here.

  2. Asian music encompasses numerous musical styles originating in many Asian countries. Musical traditions in Asia. A Mongolian musician. A Lady Playing the Tanpura; Rajasthan. A musical theatre group in Baghdad. A Japanese man playing a shamisen while another sings. A Korean gayageum performer. Music of Central Asia.

    • Rina Sawayama. If you’re a Rina Sawayama fan, it’s hard to believe there are still people who haven’t heard of her yet. The Japanese-British pop star has collaborated with Elton John and Lady Gaga, and recently got the BRIT Awards to change their eligibility rules after she was excluded from nominations in 2020 for not holding British citizenship.
    • Thao & The Get Down Stay Down. Fronted by Thao Nguyen, a Vietnamese-American singer and guitarist, Thao & The Get Down Stay Down mix folk and alternative rock for a unique sound of heritage and upbringing.
    • Vardaan Arora. Vardaan Arora, an Indian actor and musician based in New York, is smashing stereotypes and breaking down barriers for Asian LGBTQ+ artists.
    • Luna Li. Toronto-based Luna Li offers a smooth combination of dreamy rock and bedroom pop to the mix with songs inspired by nature and self-love. The singer and guitarist is making a name for herself, landing opening gigs with musicians and groups she’s looked up to, like Mitski and Japanese Breakfast.
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    • Overview
    • East Asian music vis-à-vis that of other major cultures

    East Asia can be viewed as one of the big four among the generally urban, literate cultural areas of the world. The other three are South Asia, the Middle East, and Europe. Around each of these major regional cultures one can find many satellite musical systems known as national forms. In most cases, the fundamental musical concepts of such national forms reflect the basic ideals of the cultural core. For example, the musics of Iran and Egypt are of one family, as are those of France and Sweden or of China and Japan. A possible fifth addition to the “big four” concept is the Southeast Asian musical culture characterized by the use of knobbed gongs. Its documents on music theory from the 18th to the 20th century combine South and East Asian concepts with indigenous insights. Its most distinctive aspects are its instrument types and resulting ensembles and forms.

    Using instrument type alone as a measure, it is sometimes possible to note cultural influences and mixtures of the major traditions in smaller units. For example, the physical structure and playing positions of various bowed instruments in mainland Southeast Asia can often mark clearly Chinese influence, as in Vietnam, or Muslim and Chinese forms in confluence, as in the various bowed lutes of courtly ensembles in Cambodia and Thailand. By the same token, the appearance of flat gongs in mainland Southeast Asia shows Chinese connections, while the knobbed gongs clearly stem from Southeast Asian culture proper.

    East Asia can be viewed as one of the big four among the generally urban, literate cultural areas of the world. The other three are South Asia, the Middle East, and Europe. Around each of these major regional cultures one can find many satellite musical systems known as national forms. In most cases, the fundamental musical concepts of such national forms reflect the basic ideals of the cultural core. For example, the musics of Iran and Egypt are of one family, as are those of France and Sweden or of China and Japan. A possible fifth addition to the “big four” concept is the Southeast Asian musical culture characterized by the use of knobbed gongs. Its documents on music theory from the 18th to the 20th century combine South and East Asian concepts with indigenous insights. Its most distinctive aspects are its instrument types and resulting ensembles and forms.

    Using instrument type alone as a measure, it is sometimes possible to note cultural influences and mixtures of the major traditions in smaller units. For example, the physical structure and playing positions of various bowed instruments in mainland Southeast Asia can often mark clearly Chinese influence, as in Vietnam, or Muslim and Chinese forms in confluence, as in the various bowed lutes of courtly ensembles in Cambodia and Thailand. By the same token, the appearance of flat gongs in mainland Southeast Asia shows Chinese connections, while the knobbed gongs clearly stem from Southeast Asian culture proper.

  4. Asia Pacific Forum is the progressive pan-Asian issues radio show broadcast every Wednesday night from 9-10pm on WBAI 99.5 FM in New York City and live on the web. We cover the best of Asian international politics, as well as national U.S. and local N

  5. Apr 4, 2016 · Enjoy 50 oriental songs from Japan, Korea, China and Tibet in this relaxing album. Listen to shamisen, shakuhachi, koto, duduk, singing bowls and more on Apple Music.

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