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New musicology is a wide body of musicology since the 1980s with a focus upon the cultural study, aesthetics, criticism, and hermeneutics of music. It began in part a reaction against the traditional positivist musicology—focused on primary research —of the early 20th century and postwar era.
4 days ago · new musicology. A term that became something of a slogan in the late 1980s, especially in the USA. It arose out of the perception that musicology as a discipline had become too strongly based on sources, documentation, and newly discovered facts; that it lacked broader consideration of critical, aesthetic, psychological, perceptual, and ...
ABSTRACT: Continuing tensions between contemporary music theory and the new musicology suggest the need for music theorists to step back and look at their discipline in terms of the fresh perspective that the new musicology offers—a task that the following essays by Scott Burnham, Marion Guck, Matthew Brown, Joseph Dubiel, and Kofi Agawu ...
the notions of structure, of system, of work, that in time inadvertently. opened up a disciplinary space for the new, postmodern musicology, thus providing the latter with a foil against which it could itself as a new knowledge, a new power. Of course, the other. McCRELESS.
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Apr 7, 2024 · Musicology, the scholarly and scientific study of music. It covers a wide and heterogeneous area of research and is concerned with the study not only of European and other art music but also of all folk and non-Western music. Learn about the history and scope of musicology.
- The Editors of Encyclopaedia Britannica
New musicology. New musicology is a term applied since the late 1980s to a wide body of work emphasizing cultural study, analysis and criticism of music. Such work may be based on feminist, gender studies, queer theory or postcolonial theory, or the work of Theodor W. Adorno [citation needed].
It is simply this: new musicology (and by extension critical musicology, as well, though this would be a much larger argument than an article) stems from importing 'Theory', and literary and film theory in particular, into the study of music; therefore, critical musicology, as it came into being, relied so heavily on thinking about narrative ...
