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May 29, 2024 · The core of Rembrandt’s oeuvre, however, consists of biblical and—to a much lesser extent—historical, mythological, and allegorical “history pieces,” all of which he painted, etched, or sketched in pen and ink or chalk. Seen over his whole career, the changes in Rembrandt’s style are remarkable.
Rembrandt painted more than 40 self-portraits yet he did not routinely pose himself plainly dressed for painting as he did here. He is not artificially posed or acting out a part dressed in an elaborate costume. He is simply dressed in a fur-lined robe over a red garment and a white beret.
- Dutch
- July 15, 1607
- Leiden, the Dutch Republic
- October 4, 1669
During his early years in Amsterdam (1632–1636), Rembrandt began to paint dramatic biblical and mythological scenes in high contrast and of large format ( The Blinding of Samson, 1636, Belshazzar's Feast, c. 1635 Danaë, 1636 but reworked later), seeking to emulate the baroque style of Rubens. [83]
Rembrandt exudes confidence and urbanity in his Self-Portrait of 1640 (National Gallery, London), which was modeled upon courtly portraits by Raphael and Titian. These artists probably also inspired his Amsterdam signature, “Rembrandt” (dropping “Van Rijn”).
Considered the greatest painter in all of European Art, Rembrandt van Rijn was a Dutch painter and etcher of the Dutch Golden Age. As a child, he had an inclination towards painting, and spent three years under the apprenticeship of a local history painter.
- Dutch
- July 15, 1606
- Leiden, Netherlands
- October 4, 1669
1. The Night Watch. The Night Watch was painted in 1642 and is Rembrandt’s most famous painting. It is an extremely well-known piece of art for three separate reasons. Traditionally, military paintings and group portraits tended to be relatively static settings or scenes with little or no movement.
Apr 2, 2014 · He began to paint dramatic, large-scale biblical and mythological scenes using his high-contrast method of light and dark, such as The Blinding of Samson (1636) and Danaë (1636). Despite his ...
