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Rossellini visited Berlin in March 1947 with a vague idea of making this film. [4] Rossellini then returned to Rome and secured funding for the film from the French company Union Générale Cinématographique and his friends Salvo D'Angelo and Alfredo Guarini.
Deliberately or not, Germany Year Zero concludes Roberto Rossellini’s War Trilogy by posing a kind of philosophical conundrum, a fact already signaled by its title, which he borrowed, with permission, from a book by French sociologist Edgar Morin.
Oct 15, 2013 · In 1947 Roberto Rossellini summoned Lizzani to Berlin where he was preparing to shoot Germania Anno Zero (Germany Year Zero). Lizzani did research with East German locals which Rossellini...
Germany Year Zero. The concluding chapter of Roberto Rossellini’s War Trilogy is the most devastating, a portrait of an obliterated Berlin, seen through the eyes of a twelve-year-old boy.
- Edmund Koehler
Jul 20, 2017 · In this one Rossellini explains how this film completes his canvas of the trilogy, and how he had a desire to show Germany in their tragedy. He also recalls his trip to Berlin for the first time after the war. At 4-minutes it’s the longest and probably the most interesting intro by the director found on the set.
Jul 17, 2017 · Letters from the Front: Carlo Lizzani on “Germany Year Zero,” a podium discussion with Lizzani from the 1987 Tutto Rossellini conference: Lizzani worked as assistant director on Germany Year Zero. In this footage, he shares his memories of filming, framed via his reading of letters he wrote during that time to his friend and critic ...
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Jul 20, 2017 · The concluding chapter of Roberto Rossellini’s War Trilogy is the most devastating, a portrait of an obliterated Berlin, seen through the eyes of a twelve-year-old boy.
