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- Cinephilia isn’t just about watching films. It’s a deep appreciation that fuels the film culture, pushing boundaries and encouraging innovative storytelling. This passion for cinema creates communities where debates and discussions flourish, leading to a richer understanding of filmmaking as an art form.
filmlifestyle.com › what-is-cinephiliaWhat Is Cinephilia in Film? The Love Affair With Cinema Explored
Cinephilia is much more than a mere love for movies. It’s an impassioned engagement with film as both art and entertainment. Those who identify as cinephiles often exhibit a profound dedication to cinema, reveling in various aspects that distinguish this medium from others.
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Cinephilia (/ ˌ s ɪ n ɪ ˈ f ɪ l i ə / SIN-ih-FIL-ee-ə; also cinemaphilia or filmophilia) is the term used to refer to a passionate interest in films, film theory, and film criticism. The term is a portmanteau of the words cinema and philia, one of the four ancient Greek words for love. [1]
Jan 26, 2010 · An influx of previously withheld films from other countries and a new importance placed upon archiving (probably due to the number of films lost during the war) at locations like the Cinémathèque...
Mar 12, 2012 · The New Cinephilia functions as an affirmative term that might serve as a common cause for filmmakers, programmers, bloggers, print critics, academics, and film lovers adjusting to transformations wrought by new technologies that might otherwise get displaced into internecine squabbling.
- French Cinephilia
- American Cinephilia
- The Future of Cinephilia
- Further Reading
In developing his psychoanalytic-semiotic film theory, Metz began by thinking about his own relationship to the cinema, as a theorist and as a spectator. He argued that the person who loves the cinema, but also writes about it, is like a child who breaks his or her toy. The cinephile, for Metz, is precariously balanced between the "imaginary" pleas...
While the terminology and aesthetics of cinephilia may be most closely associated with French film criticism, a similar critical passion for cinema developed in North America during the same period. In the 1940s critics such as James Agee(1909–1955) and Robert Warshow (1917–1955) were writing about cinema with a passionate investment akin to that o...
Since the 1970s cinephilia has come to be associated with a depoliticized, purely aesthetic understanding of the cinema as an artform. An approach to the medium that privileges auteursand canons of great works tends to be opposed to an approach shaped by political and cultural concerns, including feminism, Marxism, and postcolonial theory. And yet,...
Adad, Paula. "'Objects Became Witnesses': Ève Francis and the Emergence of French Cinephilia and Film Criticism." Framework46 (2005): 56–73. Barthes, Roland. "Upon Leaving the Movie Theatre." In Apparatus: The Cinematographic Apparatus, Selected Writings, edited by Theresa Hak Kyung Cha. New York: Tanam Press, 1980. Bazin, André. "The Myth of Total...
Jun 17, 2023 · As the film historian Annie Fee has explained, the French press of the early 1910s coined the terms cinéphile and cinéphobe to distinguish the adversaries of a running political debate over whether to allow cinema a place in public life.
The main reason why Casablanca still holds a place in film theory books, popular culture and oral tradition lies in its powerful storyline that easily gets through to people, featuring characters easy to relate to, dealing with a theme that has for centuries been the artists’ inspiration for creating the best of stories: love and sacrifices ...
