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Jim Wynorski, the cult director behind Chopping Mall, is back with an all-new film and Bloody Disgusting has an exclusive first look. For this latest effort, the director takes on everyone’s favorite cryptid, Bigfoot. Well, sort of. In classic Wynorski fashion, Squatch appears to take a backseat to a cast of women who steal the […]
Jim Wynorski 's 1986 horror cheapie "Chopping Mall" is a supremely silly film, better for snickers and guffaws than for scares or ideas. The premise is novel enough: a shopping mall has just installed a new line of ultra-advanced security robots that will patrol the mall at night looking for ruffians or thieves.
Mar 31, 2023 · Murderbot: Directed by Jim Wynorski. With Melissa Brasselle, August Kyss, Lisa London, Rib Hillis. When a sentient female robot goes on a berserk killing spree, a group of young people fight for their lives while the mad scientists who created her try to stop the slaughter.
Apr 2, 2023 · The home of film critics Matty Budrewicz and Dave Wain who, for the best part of a decade, have parlayed their shared, lifelong obsession with horror, B-movies, and direct-to-video shenanigans into a writing career. Jim Wynorski’s Murderbot (2023): A Babe in Droidland. Matty has a ball with the cult auteur’s latest Full Moon assignment.
A tribute to the cinematic virtues of THE Jim Wynorski!
Jan 15, 2024 · Matty revisits the directorial debut of the mighty Jim Wynorski and finds it almost as well-developed as the chests of its starlets. Guesting on Full Moon bigwig Charles Band’s short lived Freakshow podcast back in 2022, Jim Wynorski recalled how, after finishing his directorial debut, THE LOST EMPIRE (1984), he received an angry phone call from Russ Meyer.
Apr 22, 2014 · iHeartRadio TuneIn RSS. We recently had the opportunity to sit down for an exclusive interview with filmmaker Jim Wynorski. Known for films like Chopping Mall, Deathstalker II, Sorority House Massacre II, The Lost Empire, and The Return of Swamp Thing, Jim has been making films since the early ‘80s. He’s also the subject of the documentary ...
