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  1. Jan 5, 2022 · David DeCoteau (born January 5, 1962) is an American-Canadian director and producer. Having worked in movies since age 18, he started off as a production assistant to Roger Corman, before eventually striking out on his own. He is the founder of Rapid Heart Pictures, which makes homoerotic horror porn movies as well as Talking Animal movies.

  2. The Brotherhood is a series of homoerotic horror films directed by David DeCoteau. ... DeCoteau has stated that the first film did well in rental sales at Blockbuster ...

  3. David DeCoteau is a director who emerged at Empire Productions in the 1980s and continued at Empire’s successor Full Moon Productions, making a steady output of low-budget horror and occasionally science-fiction films with titles such as Creepozoids, Sorority Babes at the Slimeball Bowl-a-Rama, Puppetmaster III: Toulon’s Revenge, Beach ...

  4. Jul 30, 2020 · Vivica and DeCoteau’s collaborations can be split into two easy groups: “The Wrong” series and chintzy yet delightful Christmas movies. The former are the meat of the pair’s work together, an incredible 17 movies over four years, beginning with The Wrong Roommate. In classic Lifetime fashion, The Wrong Roommate centers around a woman ...

  5. View David Decoteau, A.A.E., IAP, CAE’s profile on LinkedIn, the world’s largest professional community. David has 7 jobs listed on their profile. See the complete profile on LinkedIn and ...

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  6. Popularity. Service. Genre. Decade. A dual citizen of Canada and the USA, David DeCoteau has worked professionally in the movie business since he was 18 years old. He got his start through a generous offer from movie legend Roger Corman, who … more. More details at TMDb. Remove Ads.

  7. Jun 27, 2020 · Matty talks the cult auteur’s joyous B&W rom-com and ponders the link between artists and their art. You can read LEATHER JACKET LOVE STORY in two ways.. If, like me, you’re a staunch believer that David DeCoteau is one of the most important and pioneering filmmakers in B-movie history, and that each and every film of his is part of a uniquely personal cinematic tapestry, the first is as a ...

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