Search results
Marie Casimire Louise de La Grange d'Arquien (Polish: Maria Kazimiera Ludwika d’Arquien; 28 June 1641 – 30 January 1716), known also by the diminutive form "Marysieńka", was a French noblewoman who became the queen consort of Poland and grand duchess consort of Lithuania from 1674 to 1696 by her marriage to King and Grand Duke John III ...
Marie Casimire Louise de La Grange d'Arquien, known also by the diminutive form "Marysieńka", was a French noblewoman who became the queen consort of Poland and grand duchess consort of Lithuania from 1674 to 1696 by her marriage to King and Grand Duke John III Sobieski of the Polish–Lithuanian Commonwealth.
The portrait by an unknown painter, purchased to the collection of the Historical Museum of the City of Warsaw (today’s Museum of Warsaw) in 1973, shows Maria Kazimiera Sobieska (Marie Casimire de La Grange d’Arquien, Marysieńka, 1641–1716, Queen of Poland 1676–1696) in a private space.
A remarkably modest sculpted iconography of Marie Casimire (1641–1716), King Jan III Sobieski’s wife and thus the Queen of Poland, is practically limited to one example kept in the Wilanów collection. It is the queen’s bust carved in the Carrara ….
Maria Clementina Sobieska (Polish: Maria Klementyna Sobieska; 18 July 1702 – 18 January 1735) was a titular queen of England, Scotland and Ireland by marriage to James Francis Edward Stuart, a Jacobite claimant to the British throne.
Sep 26, 2018 · The focus is Maria Casimira Sobieska’s cultural and political activity in a gender perspective, as she was one of the first two women admitted to the Academy of Arcadia. The intellectual activity of the Arcadia is presented trying to evaluate women’s involvement.
Marie Casimire was infected with syphilis by her husband, and her children were either stillborn or died soon after birth. It was in this distressing situation that Marie Casimire started to correspond with Jan Sobieski, a friend of the Zamoyski family and Standard-bearer of the Crown and the Jaworów starosta.
This is the first monograph about Sobieska’s music patronage. The book describes works by such eminent artists as Carlo S. Capece, Filippo Juvarra, and Domenico Scarlatti, along with the atmosphere of Rome of that time, the sociopolitical role of the festa, and the music theatre genres it employed.
In the case of Marie Casimire Sobieska, whose prestige in Rome was steadily declining52, the play on the name of Mary seems like an act of desperation – one that could only be understood and accepted in a city where religion and politics had coexisted for centuries in a state of perfect symbiosis.
Jan 8, 2024 · Unknown - Portrait of Maria Kazimiera Sobieska (1641–1716) - MP 3167 MNW - National Museum in Warsaw.jpg 646 × 800; 146 KB. Gascar Marie Casimire Sobieska.jpg 990 × 1,178; 283 KB. Gascar Portrait of a lady as Diana.jpg 564 × 720; 53 KB. Reisner Aurora.jpg 1,148 × 1,119; 642 KB.
