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  1. ARTHUR LIPSETT, SOUNDTRACKS is a single disc vinyl edition of 500. Arthur Lipsett made an impressive series of collage films during his lifetime. He began his collages under the employment of the National Film Board of Canada. During a sound workshop, he was given the assignment to tell a story by editing together found sound materials.

  2. ARTHUR LIPSETT, SOUNDTRACKS is a single disc vinyl edition of 500. Arthur Lipsett made an impressive series of collage films during his lifetime. He began his collages under the employment of the National Film Board of Canada. During a sound workshop, he was given the assignment to tell a story by editing together found sound materials.

  3. Very Nice, Very Nice is a Canadian avant-garde collage film made by Arthur Lipsett in 1961, and produced by the National Film Board of Canada. Plot [ edit ] Thoughts about the day-to-day life interpreted through snapshots and sound collages pondering if life is better than it was thirty years ago.

  4. en.wikipedia.org › wiki › 21-8721-87 - Wikipedia

    21-87 is a 1963 Canadian abstract montage - collage film created by Arthur Lipsett that lasts 9 minutes and 33 seconds. [1] The short, produced by the National Film Board of Canada, is a collage of snippets from discarded footage found by Lipsett in the editing room of the National Film Board (where he was employed as an animator ), combined ...

  5. Arthur Lipsett is one of the few filmmakers—alongside Alanis Obomsawin, Kathleen Shannon, Norman McLaren and Willie Dunn—who will forever reside in the pantheon of NFB artists. One of the most enigmatic yet celebrated directors who ever worked at the Board, Lipsett was born in Montreal on May 13, 1936, and died in the same city only 50 ...

  6. Lipsett's method of cutting between unrelated faces and by playing a completely unrelated dialog successfully makes the faces appear disconnected and without context. Lipsett also satirizes the loss of identity through the sound byte of a confident voice describing a person's happiness at being addressed by the number 21-87.

  7. A wry commentary on machine-dominated man, the man to whom nothing matters, who waits for chance to call his number. The film is a succession of many unrelat...

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