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  1. A summary of Act 1: Scene 1 in William Shakespeare's The Taming of the Shrew. Learn exactly what happened in this chapter, scene, or section of The Taming of the Shrew and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.

  2. The play that Sly watches makes up the main story of The Taming of the Shrew. In the Italian city of Padua, a rich young man named Lucentio arrives with his servants, Tranio and Biondello, to attend the local university. Lucentio is excited to begin his studies, but his priorities change when he sees Bianca, a beautiful, mild young woman with ...

  3. A summary of Act 5: Scene 2 in William Shakespeare's The Taming of the Shrew. Learn exactly what happened in this chapter, scene, or section of The Taming of the Shrew and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.

  4. The play begins with an Induction, which establishes a frame for the main plot. The drunken beggar Christopher Sly gets thrown out of a tavern and falls asleep. A noble lord passing by finds him and decides to play a joke on him. He dresses Sly up in noble clothes and convinces him that he is a wealthy nobleman who has recently been mad and had ...

  5. Petruchio asks Kate to tell the other wives what duty they owe to their husbands. The widow protests, but Petruchio insists on it. Katherine begins a long speech, detailing the importance of a wife's submission to her husband. She tells the wives, "Thy husband is thy lord, thy life, thy keeper, / Thy head, thy sovereign," (v.2.162-163).

  6. www.cliffsnotes.com › act-ii-scene-1Scene 1 - CliffsNotes

    Act II, Scene 1 is the longest scene in all of The Taming of the Shrew. In fact, it comprises the entire act. It is, as its size alone would dictate, an important scene and does much to advance both the story's action and the characterizations of the principle players. In it both daughters are betrothed (although not yet wed), and the primary ...

  7. The idea of "taming" captures the men's ideal of ownership and control over their wives, and of women in general. Tranio enters, disguised as Lucentio, with his servant Biondello. Tranio asks the group how to get to Baptista's house. Hortensio asks if he is a suitor of one of Baptista's daughters.

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