Tom Cruise
Vincent
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Collateral is a 2004 American neo-noir action thriller film directed and produced by Michael Mann and written by Stuart Beattie. The film stars Tom Cruise, Jamie Foxx, Jada Pinkett Smith, Mark Ruffalo, Peter Berg, Javier Bardem, and Bruce McGill.
The meaning of COLLATERAL is property (such as securities) pledged by a borrower to protect the interests of the lender. How to use collateral in a sentence.
Aug 6, 2004 · Collateral: Directed by Michael Mann. With Tom Cruise, Jamie Foxx, Jada Pinkett Smith, Mark Ruffalo. A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles.
Collateral: With Carey Mulligan, Nathaniel Martello-White, Hayley Squires, Vineeta Rishi. Investigating the murder of a pizza delivery man, a London detective uncovers a tangled conspiracy involving drug dealers, smugglers and spies.
valuable property owned by someone who wants to borrow money, which the person agrees will become the property of the lender (= person or business that lends money) if the debt is not paid back: She put up her house as collateral for the loan.
Feb 23, 2024 · Collateral is an item of value pledged to secure a loan. Collateral reduces the risk for lenders. If a borrower defaults on the loan, the lender can seize the collateral and sell...
United States Attorney Annie Farrell (JADA PINKETT SMITH) tries to elude Vincent on the Los Angeles Metro in DreamWorks Pictures' and Paramount Pictures' thriller COLLATERAL.
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In "Collateral," a contract killer named Vincent (Tom Cruise) hires a cab driver for a journey into a physical and psychological netherworld. "Collateral" opens with Tom Cruise exchanging briefcases with a stranger in an airport. Then, intriguingly, it seems to turn into another movie.
Navigating through bustling Los Angeles' crammed streets for twelve hard years, the observant cab driver, Max, receives the first customer for the night: the formidable U.S. prosecutor, Annie Farrell.
Nov 25, 2020 · Collateral is a brilliant thriller, and Mann’s commentary is informative to the extreme. It sounds almost as if the track is actually spliced together from two sources — the volume and tenor ...
