Search results
1 day ago · Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" can also be applied to non-Western art musics.
Anti-hauntology, on the other hand, is about the phantasms of the future. It is about the presence of that which should not exist here and now but is present nonetheless. Shanghai-based artist Gooooose is another example of anti-hauntology. The electronic and futuristic music of Gooooose is the sign of another future.
2 days ago · Medieval music includes liturgical music used for the church, other sacred music, and secular or non-religious music. Much medieval music is purely vocal music, such as Gregorian chant. Other music used only instruments or both voices and instruments (typically with the instruments accompanying the voices).
- c. 1730-1820
- c. 1400-1600
- c. 500-1400
4 days ago · Carrie Suarez is a frequent contributor to OldTimeMusic.OldTimeMusic, your go-to source for music insights since 1998.We're a passionate community of music enthusiasts and talented instrument players, sharing the meanings and emotions behind songs, highlighting the best tracks and albums in music history, as well as providing the latest music news and instrument tips.
3 days ago · Music, art concerned with combining vocal or instrumental sounds for beauty of form or emotional expression, usually according to cultural standards of rhythm, melody, and, in most Western music, harmony. Learn about the history of music and about theories of musical meaning since the 19th century.
- Gordon Epperson
Critical theory is a school of thought that stresses the examination and the critique of society and culture by applying knowledge from the social sciences and the humanities.
4 days ago · Late medieval texts from the British Isles provide clear examples of the same concerns which dominate the modern Folk Horror genre: fear-inducing landscapes, a sense of both nostalgia and repugnance toward the unknown and the unknowable, and curiosity and trepidation connected to (what Derrida termed) ‘hauntology’ in how the folkloric, the ...
