Erwin Splettstößer
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German intertitles. People on Sunday ( German: Menschen am Sonntag) is a 1930 German silent drama film directed by Robert Siodmak and Edgar G. Ulmer from a screenplay by Robert and Curt Siodmak. Curt was the younger brother of Robert Siodmak. The film follows a group of residents of Berlin on a summer's day during the interwar period.
People on Sunday: Directed by Robert Siodmak, Edgar G. Ulmer, Rochus Gliese, Curt Siodmak, Fred Zinnemann. With Erwin Splettstößer, Brigitte Borchert, Wolfgang von ...
- (3.6K)
- Comedy, Drama, Romance
- Robert Siodmak, Edgar G. Ulmer, Rochus Gliese
- 1930-02-04
Years before they became major players in Hollywood, a group of young German filmmakers—including eventual noir masters Robert Siodmak and Edgar G. Ulmer and future Oscar winners Billy Wilder and Fred Zinnemann—worked together on the once-in-a-lifetime collaboration People on Sunday (Menschen am Sonntag). This effervescent, sunlit silent, about a handful of city dwellers (a charming cast ...
- Himself (Taxi Driver)
59m. People on Sunday - PEOPLE ON SUNDAY - 1930 German Collaboration with Billy Wilder, Robert Siodmak, Edgar G. Ulmer, & Fred Zinnemann. In 1929, a loose collective of young German filmmakers working their way up the ladder of the German studio system took the reigns of a low budget production about a group of attractive young Berliners who ...
- Robert Siodmak, Edgar G. Ulmer
- Christl Ehlers
Mar 15, 2024 · "A film without actors," People on Sunday is a unique experiment in observational discovery shot in the areas around Berlin in summer 1929. A pioneering work...
- 2 min
- 295
- Film Secession
Jan 11, 2012 · Many Berliners seem to have the same idea - Nikolassee offers a beach, a lake, parkland, and a pine forest where daytrippers can spend a relaxing few hours. We see many such Berliners of all ages enjoying themselves on a Sunday at Nikolassee, including the four young people who are the focus of the film.
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Jun 27, 2011 · Young People Like Us. S hot in Berlin on the eve of the Great Depression with almost no budget, an equally modest cast of amateur actors, a relatively untested, unknown crew, and no major studio backing, the late silent film People on Sunday (1930) has a production history like no other. After seasoned director Rochus Gliese abruptly abandoned ...
